Kling 4.0 Prompts

CRITICAL: Perfect character continuity across every shot. One lone athletic man, bare-chested, simple dark charcoal athletic shorts, barefoot, short dark hair, lean defined build, same body and hair in every frame. No wings, no superhero suit, no costume, no visible technology. Anatomy stays correct at all times: two arms, two legs, no extra limbs, no warped or floating body parts, no sudden pose changes. SUBJECT LOCK: The man is 30s, athletic, natural muscle definition, tanned skin with visible pores and subtle sweat sheen. Dark charcoal shorts only. Hair and shorts react naturally to wind in every shot. WORLD PLATE: A tiny grassy cliff floats impossibly high above an endless ocean of dense volumetric silver-white clouds thousands of meters below. Gigantic pale twisted cable-like structures stretch across the cloudscape and vanish into infinity. A colossal luminous planetary ring system crosses the sky diagonally, filled with countless bright parallel streaks catching sunlight. Massive distant floating rock formations sit partially silhouetted in the sky. Clear blue upper atmosphere, brilliant sunlight, realistic aerial haze, strong atmospheric perspective. The structures feel physically present and real, never abstract or psychedelic. PALETTE: Cool blue sky, soft silver-white clouds, muted natural green grass, dark charcoal shorts, bright white ring highlights. Realistic sunlight with deep shadows and true highlights. Slight dreamy softness while textures stay sharp and photoreal. SHOT 1 (0-3s): Wide cinematic rear shot, low angle. The man stands at the edge of the grassy plateau facing the impossible cloud world, his long shadow stretching behind him. After a brief still moment he bursts into a run toward the cliff edge. The camera tracks smoothly behind and low to the grass, building speed with him. Accurate foot contact, real momentum and body weight, grass blades bending under each step. Giant celestial structures dominate the background. SHOT 2 (3-5s): He reaches the edge and launches forward into empty space. The camera follows the leap as the ground vanishes beneath him. It begins as a real human dive, arms extending naturally, then eases into a smooth horizontal glide. Reveal the enormous vertical depth of the clouds below him. SHOT 3 (5-9s): Cut to a dramatic fast side-profile tracking close shot. He flies rapidly just above the cloud tops. Wind pushes across his body and hair, muscles subtly reacting to the airflow. One colossal twisted structure passes overhead, emphasizing scale and speed. Clouds streak beneath him with strong parallax, sunlight flashing across his skin, realistic motion blur. SHOT 4 (9-15s): Epic rear pursuit shot, centered composition. The camera follows directly behind him as he flies deeper into the surreal world. Two gigantic twisted pathways stretch forward on either side of him. Far ahead the luminous rings rise across the entire sky while a huge dark floating rock formation hangs overhead. Slowly pull the camera wider as he becomes smaller against the vast scale. Final beat: he continues toward the brilliant horizon, arms slightly open, surrounded by clouds and celestial architecture. CAMERA: Smooth cinematic tracking only, no handheld shake. Grounded low-angle tracking, then wide aerial perspective, then fast side-profile tracking, then centered rear chase. Strong foreground-to-background parallax. MOTION: Flight is smooth and aerodynamic, controlled and human, never stiff or superhero-like. Hair, clouds and atmospheric particles react naturally to strong high-altitude wind. SOUND BED: Diegetic and atmospheric only, no dialogue. Quiet high-altitude wind and distant ambience at open. Footsteps accelerate across grass. A powerful wind rush hits at the leap. During flight build layered deep air movement, subtle cinematic bass and expansive melodic progressive-trance energy. Close on an uplifting atmospheric swell as he disappears into the infinite landscape. LAST FRAME: The man small in the center of the frame flying toward the bright horizon, arms slightly open, clouds and twisted structures on both sides, luminous rings above. No on-screen text, no subtitles, no logos, no watermarks, no UI elements, no branding of any kind.

Shared by @bmx_ai13 on X, made with Kling 4.0 Flash

架空のパン屋「こむぎ日和」の10秒ブランドCM。横長16:9。街が目覚める前から始まる丁寧なパン作りが、朝の食卓の幸せへつながる様子を、温かく自然な実写映像で描く。中心となる言葉：「今日を、焼きたてに。」【参照画像】添付の9コマボードを、店舗、女性パン職人、衣装、厨房、調理器具、カンパーニュ、照明、撮影アングルの厳密なビジュアル参照として使用する。読み順は左上から右、上段から下段。完成動画では、9コマ画像全体、枠線、番号、分割状態を一切表示しない。冒頭から01の店舗外観を全画面で映す。各コマを全画面の独立した実写ショットとして再現し、カット編集でつなぐ。ボード上をカメラが移動する演出や、コマへズームして入る演出は禁止。文字は最終ショットのコピーと店名のみ表示する。【人物と商品の一貫性】全カットで、参照画像と同じ20代後半の日本人女性パン職人。黒髪を低い位置でまとめ、生成りのキャップ、白いコックシャツ、ベージュのエプロンを着用する。顔、体格、髪形、帽子、衣装を変化させない。作業中は穏やかに集中し、接客時には参照画像のような自然な笑顔を見せる。熱い天板を扱う06では、両手に厚手の耐熱ミトンを着ける。主役のパンは、参照画像と同じ丸いカンパーニュ。焼き上がりの深いきつね色、十字に開いたクープ、薄く残った打ち粉、粗いクラストを維持する。生地と焼き上がったパンの違いは、工程ごとのカット切り替えで表現する。【ショット構成】0.0–1.0秒｜01：街より早い朝夜明けの青みが残る住宅街のパン屋。参照画像と同じ木枠のガラス扉と窓から、温かな灯りがこぼれる。店内では女性パン職人が小さく手を動かし、開店前の準備をしている。カメラは店舗へごく緩やかに寄る。静かな街と温かな厨房の対比。1.0–2.0秒｜02：小麦粉を量る参照画像と同じ斜め正面のミディアムショット。女性が金属の容器を傾け、秤の上のステンレスボウルへ小麦粉を細く注ぐ。片手は容器を持ち、もう片方は秤の脇に添える。粉は重力に従って落ち、ボウルの中に収まる。空中へ派手に舞い上がらせない。2.0–3.0秒｜03：生地をこねる手元の接写。参照画像の両手の位置を起点に、手の付け根で生地をゆっくり押し込む、一度の短い動作。生地が圧力で横へ広がり、弾力を残してわずかに戻る。指と生地の接触、表面のしっとり感、作業台の打ち粉を自然に描く。3.0–4.0秒｜04：発酵を見極める発酵かごの生地を見つめる女性の横顔。参照画像と同じ構図で、指先を生地へ軽く押し当て、そっと離す。表面に小さなへこみが残る。視線は指先と生地に向けたまま。カメラはほぼ固定し、静かな集中を見せる。4.0–5.0秒｜05：クープを入れる生地とクープナイフのマクロショット。参照画像の切り込みを引き継ぎ、刃先を短く引いて十字の最後の一辺を仕上げる。刃が触れた部分だけが浅く開く。支える手は刃の進行方向から離し、天板と生地は安定させる。切り込みが勝手に増えたり、深く裂けたりしない。5.0–6.2秒｜06：焼き上がりオーブンの前に立つ女性を横から捉える。両手の耐熱ミトンで天板の左右を支え、焼き上がったカンパーニュをゆっくり引き出す。天板は水平に保ち、パンは天板上の同じ位置に留まる。オーブンの暖かな光が、香ばしいクラストとクープを照らす。立ち上る熱気はごく控えめ。炎や大量の煙は出さない。6.2–7.3秒｜07：お客様へ手渡す木製カウンター越しの接客シーン。女性が自然に微笑み、カンパーニュの入った紙袋をお客様へ差し出す。参照画像と同じく、お客様は画面左の後ろ姿と手を中心に映す。お客様が袋を受け止めてから、女性が支えていた手を離す。紙袋は自然に少したわみ、パンの上部が袋の口から見える。7.3–8.4秒｜08：朝の食卓参照画像と同じ、パンを両手で割る接写。すでに中央が開き始めたパンを、左右へ数センチだけゆっくり引き離す。内側が自然にほどけ、薄いクラストから小さなパンくずが木のボードへ落ちる。背景には白いカップ、バター、サラダが柔らかくぼけて見える。パンの内側は柔らかく、大小の気泡を保つ。チーズのようには伸びない。8.4–10.0秒｜09：商品とブランド参照画像の最終コマを、全画面の商品広告カットとして再現する。アイボリーの背景。右側の丸い木製ボードにカンパーニュと切り分けたスライス。左側にダークブラウンの文字で、「今日を、焼きたてに。」その下に、「こむぎ日和」を、参照画像と同じ配置と書体の雰囲気で鮮明に表示する。文字列は引用符を付けず、正確にそのまま、それぞれ一度だけ表示する。ショット開始時点から全文を見せ、10.0秒まで固定して読みやすさを保つ。商品、文字、背景の位置は動かさず、柔らかな光でクラストと断面の質感を見せる。【映像表現】日本の街のベーカリーによる、高品質で親しみのある実写CM。小麦色、きつね色、生成り、木のブラウン、自然な白を中心にする。冒頭は夜明けの青みと店内の暖色を対比させ、その後は柔らかな朝の自然光へつなげる。過剰なオレンジ色の加工は避ける。肌、布、生地、打ち粉、パンの焼き目を実在する質感で描写する。背景は自然にぼかし、手元と作業内容は明瞭に見せる。各ショットの動きはひとつに絞り、短い時間でも丁寧な仕事が伝わるようにする。【編集】小麦粉が落ちる、生地を押す、指を離す、刃を引く、天板を引き出す、袋を渡す、パンを割る動作を、短いハードカットでつなぐ。全体を10秒に収め、早回しではなく工程の印象的な一瞬を切り取る。工程間の時間経過はカットで省略する。発酵や焼成を同一ショット内で急速に進めない。分割画面、コラージュ、モーフィング、派手なトランジションは使用しない。【サウンドデザイン】柔らかなピアノと、控えめなアコースティックギターによるオリジナルのインストゥルメンタル。小麦粉が落ちる音、生地を押す鈍い音、天板が滑る音、紙袋のかすかな音、クラストが割れる軽い音を、各動作に同期させて自然に重ねる。効果音は誇張せず、手仕事の距離感を感じさせる音量にする。7.3秒頃から、温かく落ち着いた成人女性の声で、「今日を、焼きたてに。こむぎ日和。」と自然な速さで読み、10.0秒までに読み終える。店名の読みは「こむぎびより」。ナレーション中は音楽と効果音を少し下げる。接客の会話や追加のナレーションは入れない。【避ける要素】9コマボードの直接表示、枠線、コマ番号、分割画面、追加の字幕、指定外の文字やロゴ、透かし。人物の顔や衣装の変化、手指の変形、調理器具の破綻、浮遊する物体。素手で熱い天板を持つ描写、不安定な天板、パンを貫通する手や道具。大量の粉煙、過剰な湯気、炎、焦げすぎたパン、不自然な光沢、伸びすぎるパンの内側。急激なカメラ回転、過剰なスローモーション、早回し、物体同士のモーフィング。

Shared by @tanabe_fragm on X, made with Kling 4.0 Flash (original Japanese prompt; uses a 9-panel storyboard image as reference)

Animate this image naturally while preserving the character and mood.

Prompt shared by @HERANAM381471 on X

Create a restrained luxury commercial that highlights this product’s materials and the way light falls on them.

Prompt shared by @HERANAM381471 on X

On a rainy night, someone waiting for another person finally spots them. Tell the moment through eye contact and subtle expressions.

Story idea shared by @HERANAM381471 on X

Create a smooth cinematic 4K product demo for [AI tool]. Use slow-motion transitions, glowing effects, modern tech aesthetic, and perfectly synced upbeat background music.

Prompt shared by @Orion_Vers7x on X

Create an emotional testimonial video: real user sharing success with an AI tool, heartfelt delivery, soft cinematic lighting, subtle background music, and clean text overlays for key results.

Prompt idea shared by @Orion_Vers7x on X

Create a 30-second photorealistic cinematic fantasy adventure sequence following a sharply dressed businessman through an ordinary morning in a busy modern city. Begin with a warm golden-hour tracking shot moving through a downtown street surrounded by towering glass skyscrapers, yellow taxis, pedestrians, and long cinematic shadows → reveal the businessman wearing a dark navy suit, white shirt, and tie, calmly walking through the crowd while holding a takeaway coffee and papers → transition to a dynamic street-level shot as a woman accidentally bumps into him, causing papers, coffee, sunglasses, and pigeons to scatter dramatically through the air → cut to a cinematic close-up as he reaches toward the floating coffee cup while strange golden magical particles begin appearing around him → suddenly reveal the coffee cup surrounded by glowing blue magical energy as the entire city begins filling with swirling particles → transition into a dramatic low-angle shot looking upward between enormous skyscrapers as the atmosphere transforms into a powerful vortex of golden dust and blue energy → cut to a spectacular portal sequence as a huge glowing blue circular gateway opens and pulls the businessman through the air, his suit and tie reacting naturally to the force while he desperately holds onto his coffee → transition through the blue portal into a mysterious ancient rainforest filled with enormous trees, dense ferns, mist, moss-covered ground, and shafts of soft sunlight → reveal the businessman crashing onto the forest floor, still holding his coffee, then slowly standing up in confusion → suddenly cut to an intense close-up of a gigantic realistic T-Rex-like dinosaur emerging from the dense jungle and roaring directly toward him → transition into a fast dynamic tracking shot as the businessman runs across a massive fallen tree while the dinosaur charges aggressively behind him → cut to a spectacular wide shot of him sprinting across a rope suspension bridge above a raging jungle river as the enormous dinosaur follows him → transition into an action close-up as he grabs a hanging jungle vine and swings dramatically beside a massive waterfall while the dinosaur leaps across the gap behind him → final shot becomes a heroic cinematic wide-angle view of the businessman standing on a moss-covered rock in the prehistoric forest, calmly drinking his coffee while a brilliant glowing blue portal opens behind him, surrounded by mist, waterfalls, enormous trees, floating magical particles, and dramatic sunlight breaking through the canopy. Visual style: ultra-photorealistic live-action fantasy adventure, premium Hollywood cinematography, realistic human character, realistic dinosaur creature, natural skin texture, physically accurate motion, cinematic depth of field, anamorphic lens, volumetric lighting, atmospheric fog, realistic water and particle effects, dramatic scale, smooth camera movement, high-detail environments, immersive cinematic realism, 4K quality. Character continuity: keep the exact same businessman throughout the entire sequence, identical face, hairstyle, age, body proportions, navy suit, white shirt, tie, black shoes, and coffee cup; no identity drift, no wardrobe changes, no character redesign. Negative prompt: cartoon, animation, stylized CGI, plastic skin, fake-looking human, identity drift, changing face, changing clothes, duplicate character, extra people appearing suddenly, deformed hands, extra fingers, extra limbs, distorted body, unrealistic dinosaur anatomy, floating objects, broken physics, jittery motion, excessive motion blur, warped buildings, artificial environment, low detail, oversaturated colors, text, subtitles, logos, watermark, UI elements.

Prompt shared by @Elvorya on X

Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.

Prompt shared by @Aiwithmaha on X

Create a 30-second Japanese sword-action comedy: reference-style 2D anime characters composited into photorealistic Shibuya. Synchronized dialogue, music and effects. Use the selected aspect ratio. REFERENCES A = black-haired heroine from @Image 1; her voice uses @Audio 1. B = white-haired heroine from @Image 2; her voice uses @Audio 2. All enemies use the design from @Image 3. Preserve exact faces, hair, costumes, accessories, proportions and reference art styles. Images define identity, not poses or sheet layouts. Equal heroine heights, excluding ornaments. A and B are allies; ONE of each. Replicate only enemies. Audio references define timbre and natural pitch, not scripts. Never replay recorded words or swap voices. Enemies are silent. STYLE AND LOCATION A, B and enemies retain their reference illustrated styles, clean lines and cel shading. Never turn them into live-action people or 3D figurines. Photorealistic Shibuya Scramble Crossing at night after rain: diagonal zebra stripes, station frontage, curved commercial buildings, LED screens, wet asphalt and realistic glass, concrete and steel. Screens show abstract colors, no readable brands. Integrate the illustrated characters through matching light direction, soft contact shadows, wet-road reflections and colored light on their cel shading. Keep their faces and linework sharp. Buildings, airborne debris, dust and destruction have realistic materials, weight and lighting. Sword energy remains vivid anime-style light. Only heroes and enemies occupy the streets; no civilians or moving traffic. Establish Shibuya in the first frame before the destruction. OPENING SPECTACLE AND CONTINUITY Begin directly with a combined ultimate attack; no title or long setup. Both swords are already charged in the first frame. TEN THOUSAND enemies fill the crossing and roads in deep layered ranks. A's teal slash and B's violet slash visibly merge into ONE gigantic crescent, expanding into a pressure wave that blasts enemies AND buildings outward. Each heroine has one right-hand silver katana and a waist scabbard. Left hands may support the grip. Keep blades rigid and clear of each other. Show contact before displacement. Enemies stay down. Close combat uses three to six attackers, preserving @Image 3. Sparks and knockdowns; no blood or exposed wounds. SHOT 1 — COMBINED ULTIMATE ATTACK, 0–3 seconds Low wide view across the crossing: A left, B right, side by side, facing a vast enemy formation. Their charged blades and wet road reflections glow teal and violet. A slashes diagonally upward, B downward, in separate spaces. Energy trails cross ahead and fuse into one white-gold crescent. Bodies and blades never collide. Around 0.1–0.8 seconds, A uses @Audio 1 and says: 「いくよ！」 Around 0.9–1.6 seconds, B uses @Audio 2 and replies: 「あわせる！」 These are the only lines; accurate lip sync. At 1.6 seconds the crescent launches the front ranks. Show merger and impact clearly. SHOT 2 — TEN THOUSAND BLOWN AWAY, 3–8 seconds High oblique view over the crossing and roads. Both heroines stay grounded at the origin; debris flies away from them. The pressure front lifts successive enemy ranks and drives thousands of silhouettes backward with spinning weapons. It also strikes buildings along both roadsides, blasting them away from the heroes. Show a traveling chain reaction, not an instant disappearance. At wave contact, windows shatter, signs tear away, and buildings rip from their foundations and fragment. Huge concrete sections and steel frames fly OUTWARD with the army. Show collapse spreading building by building, never an unrelated explosion. Briefly slow the airborne peak, then resume speed. Illustrated enemies and photorealistic building fragments fill the sky. Keep silhouettes readable through dust. SHOT 3 — BACK-TO-BACK GUARD, 8–11 seconds Low medium-wide: the heroines slide back-to-back, feet grounded. The army stays down. Keep buildings ruined throughout. A fresh @Image 3 squad enters over distant rubble; show their arrival, no respawning. The heroines exchange a glance and face them. SHOT 4 — LOW/HIGH TEAMWORK, 11–16 seconds Full-body lateral tracking. A advances into three attackers, ducks an incoming sword and sweeps low. Show blade contact, sparks and the attackers losing balance. B leaps above A's crouched shoulder, clearly separated, and strikes another attacker. Show contact and its backward fall. B lands ahead as A rises. Hold leap and landing continuously, keeping blade paths distinct. SHOT 5 — MUTUAL PROTECTION, 16–22 seconds Wider three-quarter view. An enemy attacks A's rear. B steps in and visibly parries above A's shoulder. A pivots beneath the clash and strikes the attacker approaching B's side. They turn back-to-back and simultaneously slash outward into opposite sectors. A short teal-and-violet shockwave knocks down the remaining close attackers. This follow-up is smaller than the opening ultimate attack. Dust clears. The main army remains down, the reinforcements are defeated, and ONE last enemy is standing several meters ahead. Both heroines lower their blades. SHOT 6 — TOO POLITE TO FINISH, 22–27 seconds Stable wide three-shot on the crossing: A left, B right, last enemy ahead. Stop the action music. A offers the last enemy with her empty left palm, right-hand katana lowered. B returns the gesture. Both stay serious, looking at each other. The enemy quietly lays its sword on a zebra stripe, backs away and runs out of frame. Show this continuously. A and B turn back together and discover only the abandoned sword. Hold an awkward pause. No dialogue explains the joke. SHOT 7 — THE FAMILIAR FACE, 27–30 seconds Frontal close-up of anime A against a blurred photorealistic ruined Shibuya skyline. Preserve her exact face and hair. Wide eyes, small pupils, raised brows and lips slightly parted once, then held still: her familiar stunned, uncomprehending expression. A looks toward camera. Push in; hold the final full second, sword out of crop. No blush, crying or speech. End on A. SOUND AND MUSIC After the two opening lines, no dialogue, narration, grunts, gasps, screams, laughter or vocal breaths from anyone. Instrumental drums, strings and brass drive combat. Synchronize swords, impacts, collapses and landings. Opening: huge bass impact and cascading crashes. Cut music at Shot 6. Hear the sword, retreating steps, settling debris and wind. No choir, vocals, comedy sting or canned laughter. No text, subtitles, logos, watermarks, HUD, hero clones, mixed identities, extra limbs, fused bodies, morphing swords, costume changes, persistent afterimages, uncontrolled camera spins, realistic human faces, 3D character redesign or chibi.

Prompt shared by @tokyo_Valentine on X (uses 3 character images and 2 voice clips as references)

Cinematic 4K action sequence in a dark movie theater. A young Asian woman with long black hair and a green long-sleeve top is eating popcorn, watching a sci-fi blockbuster on screen. Suddenly, a robotic cyborg villain with glowing red eyes leaps out of the movie screen into the theater. The environment instantly shatters and transitions into an epic ancient ruin courtyard with stone columns under a stormy sky. Dynamic camera movement tracking intense hand-to-hand combat between the woman wielding swirling green magical energy and the metallic cyborg casting purple spell circles. High-budget Hollywood blockbuster aesthetics, dramatic lighting, particle effects, slow-motion impacts, and hyper-realistic textures.

Prompt shared by @AvelyrahnAI on X

Ultra-realistic cinematic portrait of a beautiful young woman in an elegant upscale restaurant at night, wearing a sophisticated black outfit, holding a clear wine glass while gracefully walking through a warm, dimly lit interior. Later, close-up portrait with her looking softly to the side, natural expressive eyes, subtle makeup, smooth realistic skin texture, dark brown hair loosely styled with delicate strands framing her face, intimate and mysterious mood, warm amber practical lights, creamy bokeh in the background, shallow depth of field, cinematic low-key lighting, realistic shadows, luxury editorial photography, 85mm lens, f/1.4, HDR, highly detailed, photorealistic, 8K, vertical 9:16 composition.

Prompt shared by @AIwithMinal on X

MiniMax H3を使ってモーショングラフィックスをバリバリ使った15秒のCMを作りたい。 どんな内容が良いと思う？ 条件は以下 ・モーショングラフィックスを多用 ・人物も登場させる（実写・アニメーションは問わない） ・アスペクト比は16:9 integrated_multimodal_description: 2D-animated, a bold graphic-design motion-graphics commercial in 16:9 with exactly 13 distinct cuts at 24fps. This film is 85% kinetic graphic design and 15% character action: giant kinetic Japanese typography, hard-edged flat shapes, split screens, halftone, speed lines, torn-paper reveals and shutter flashes. Palette, strictly four colors: fluorescent orange, deep black, off-white, silver grey. The recurring character is a young anime street dancer with a black chin-length bob and blunt bangs, sharp confident eyes, an oversized off-white track jacket with fluorescent-orange sleeve stripes, black cargo shorts, and chunky white sneakers with fluorescent-orange lines. Preserve her exact face, proportions, hairstyle, outfit, materials and colors throughout; never redesign her. Every graphic element moves fast and snaps hard on the beat. [Shot 1] On a deep black field, a massive off-white circle slams into frame left of center, then two fluorescent-orange bars wipe across the upper and lower thirds, then the Japanese kanji "烈" builds itself stroke by stroke in off-white at the center until it is complete. The camera shakes slightly with small amplitude at fast speed on each impact. [Shot 2] At 00:01.000, the camera cuts to an off-white field where four black squares rotate into the center one at a time. The largest square opens as a porthole revealing an extreme close-up of the dancer's ice-sharp eye glancing up, then a red-and-cyan split flash tears across the edges and the squares shatter into flat shards. The camera pushes in with small amplitude at fast speed. [Shot 3] At 00:02.000, the camera cuts to an off-white field filled by an enormous black kanji "烈". The dancer sprints in from frame left, power-slides along the baseline of the typography, and fluorescent-orange ink splatter trails behind her as speed lines streak past. The camera trucks left with large amplitude at fast speed. The kanji stays fully readable before she crosses in front of it. [Shot 4] At 00:03.100, the camera cuts to a vertical triptych of fluorescent-orange, deep black and off-white panels. Her flat silhouette appears in each panel in stroboscopic freeze, one after another — takeoff, mid-air tuck, landing — while giant vertical silver text "全速" scrolls upward behind the panels. Static shot. [Shot 5] At 00:04.000, the camera cuts to a black field where a giant tilted ring of fluorescent-orange Japanese characters reading "止マルナ" rotates. The dancer leaps through the center of the ring, spins once in mid-air, and the characters break off and scatter outward as flat shards. The camera arcs with large amplitude at fast speed, then snap-zooms onto her confident face. [Shot 6] At 00:05.100, the camera cuts to a clean off-white editorial card holding a huge black kanji "跳" with one orange diagonal slash. She vaults over the word itself, plants her palm on its left radical, the character compresses like a spring under her hand, then rebounds as her legs whip across the frame. Static shot. [Shot 7] At 00:06.000, the camera cuts to a full fluorescent-orange field crossed by one thick black diagonal stripe. She back-flips along the stripe in three stroboscopic ghost frames tinted black, off-white and silver grey, while a large outlined kanji "回" rotates 180 degrees in sync with her rotation. The camera rolls clockwise with small amplitude at fast speed. [Shot 8] At 00:07.000, the camera cuts to an off-white field with a hard black band. Four bold black kanji slam in one at a time at different scales and angles — "速", then "鋭", then "静", then "烈" — each landing with a white shutter flash and an orange impact mark, while she slides on her knees across the foreground, jacket flaring. The camera shakes slightly with small amplitude at fast speed. [Shot 9] At 00:08.000, the camera cuts to a black frame where a white wireframe grid tilts away in 3D. She runs up the grid like a wall, kicks off it, and hangs frozen in mid-air as a fluorescent-orange circle stamps around her pose like a target lock with silver UI brackets and tick marks. The camera tilts up with small amplitude at slow speed. [Shot 10] At 00:09.000, the freeze releases and the camera cuts to layered flat-color panes stacked toward the lens. She dives straight at the camera, the panes tear open one at a time like thick paper, and each tear reveals a larger portion of the black kanji "烈" behind, before her sneaker wipes across the foreground. The camera pulls out with large amplitude at fast speed. [Shot 11] At 00:10.100, the camera cuts to a rapid-fire montage of four full-screen graphic posters of her in different action poses — mid-flip, sliding, landing, hands in pockets — snapping past with hard cuts, each with an oversized silver number 01 to 04, a black barcode strip and thick diagonal slashes. Static shot. [Shot 12] At 00:11.100, the camera cuts to a clean off-white cyclorama for the hero moment. She lands a final backflip dead center in slow motion, straightens with both hands in her pockets, and a shockwave of concentric fluorescent-orange rings blasts outward from her feet carrying shattered fragments of the kanji "烈" with it, then the frame overexposes toward white. The camera pushes in with small amplitude at slow speed. [Shot 13] At 00:13.000, the camera cuts to the final identity card on a pale off-white field. An enormous black kanji "烈" dominates the frame with translucent orange rings and thin technical arcs behind it, the silver-grey word "RETSU" sits directly beneath the kanji, and she stands relaxed at the lower center overlapping the bottom of the strokes with her jacket rippling. One thin orange pulse sweeps horizontally through the typography and holds cleanly until exactly 15.000 seconds. Static shot. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, split flashes and impact shakes. Every cut must feel compositionally different. All Japanese typography is always fully readable before the character overlaps it. No weapons, no combat, no fire, no explosions; all energy comes from motion design, ink, torn paper, wind and her street-dance athleticism. No photorealism, no 3D rendering, no gradients, no browser interface, no player controls, no subtitles, no captions, and no text other than the Japanese characters named above. Exactly 13 cuts. overall_soundscape: Sneaker impacts, knee slides and landings hit hard against a clean room tone. Ink splatters burst, thick paper tears open, and flat panels shatter like glass. Sharp whooshes carry the color wipes and typography slams, with small shutter clicks on each flash. No dialogue. non_diegetic_music: An original 15-second drum-heavy breakbeat with a deep sub bass, hard snare hits, risers and glitch fills locked to every cut. Begin with a single impact, build tightly through the middle, peak at the landing at 00:11.100, and end with a cold electronic logo sting that resolves at 15.000 seconds.

Prompt shared by @tanabe_fragm on X, made with Kling 4.0 Flash (original Japanese prompt)

Cinematic 2.5D animation in the style of fully painterly rendering, characters and environments look like gouache concept-art paintings in motion, visible brush texture on skin, cloth and buildings, flat posterized color blocks with hard-edged light shapes, matte finish, soft filmic volumetric lighting, shallow depth of field. NOT flat 2D cartoon, NO bold black outlines, NO cel-shading, NOT glossy CGI, NOT Unreal Engine, NO photorealism, no plastic skin. ENVIRONMENT / WORLD :Ash-rift volcanic canyon with cracked white salt-rime ground, towering dark basalt pinnacles, glowing molten fissure seams, ancient ruined stone viaduct arches in midground, and a smoldering amber caldera sky dissolved in heat mist. CHARACTERS: Kip : Slender scout, rust-orange hair, freckles, draped charcoal mantle, olive vest, burnt-sienna trousers, heavy chestnut mechanical gauntlet. Ignis-Vael : Colossal obsidian dragon, faceted black scales, crimson wing membranes, swept-back horns, amber eyes. Bonded allies. MULTI-CUT SEQUENCE (20 SECONDS TOTAL):[CUT 1 | 00:00–04:00 | WIDE TRACKING]: Low tracking move along the salt-rime canyon floor. Kip strides past dark basalt crags, ruined stone arches in distant haze. He stops and looks to the sky.[CUT 2 | 04:00–08:50 | IMPACT WIDE]: Hard cut to low angle. Ignis-Vael drops through orange smoke, slamming talons into frozen earth, scattering ash. Kip turns smoothly with a calm smirk, mantle flaring.[CUT 3 | 08:50–14:50 | MEDIUM CLOSE-UP]: Hard cut. Kip extends his mechanical gauntlet; the giant dragon lowers its horned head and presses its snout into his palm. Amber throat-glow lights Kip's face as steam vents from nostrils.[CUT 4 | 14:50–20:00 | HERO POSTER FRAME]: Hard cut to low-angle tableau. Kip stands beside the towering beast as it spreads massive crimson wings against the burning caldera sky, venting smoke upward. Hold frame. LIGHTING & ATMOSPHERE:Low amber magma under-glow, rear caldera rim-light, cool slate shadow fill. Volumetric heat haze and drifting ash flakes. NEGATIVE:photorealism, glossy CGI, 3D render, plastic textures, anime, flat cartoon lineart, cel-shaded outlines, fighting each other, fear, weapons drawn, text, watermark

Prompt shared by @itsPixieVerse on X, made with Kling 4.0 Flash

Cinematic suspense scene, fast-paced short cuts. Midnight harbor warehouse district, heavy rain falling nonstop. Wet asphalt reflecting red and blue neon, rusty shipping containers forming a maze, rainwater pouring off rooftops, distant ship horn. Moody, high-contrast lighting, handheld camera, film grain.Characters: Sarah and Louis .Cut 1: Sarah and Louis crouch behind a container, sharing one small umbrella. Louis's shoulder is soaked. Sarah watches the warehouse entrance through binoculars.Cut 2: Close-up — warehouse door creaks open. Men in black coats carry out an attached case.Cut 3: Close-up of Sarah's eyes, sharp and excited.Cut 4: Louis flinches and drops the umbrella into a puddle with a loud splash.Cut 5: The men turn at once. Flashlight beams slice through the raindrops.Cut 6: Sarah grabs Louis by the collar and runs. They sprint through narrow container alleys in a zigzag, water splashing high.Cut 7: Lightning flash turns everything white — their silhouettes freeze for an instant.Cut 8: Footsteps of pursuers mix with the pounding rain. Soaked Sarah keeps running, laughing wildly. Louis struggles behind her.Dialogue (Japanese):Louis: 「どうして毎回、こう、ずぶ濡れになるんでしょうねぇ」Sarah: 「そういう星のもとに生まれたのよ！」Louis: 「傘だって一本しか持ってきてないんですよ」Sarah: 「傘だかカサブランカだか知らないけど」Sarah: 「あのケースさえ手に入れば」Sarah: 「あたしたち、もう二度とあのカビ臭い部屋に帰らなくて済むのよ！」 Cinematic high-tension car chase, fast-paced short cuts. Night mountain pass, torrential rain that never stops. Winding wet road with guardrails, dense dark forest, fog drifting between the trees. Headlights cut through sheets of rain, wipers can't keep up. Handheld camera, film grain, high-contrast moody lighting.Characters: Sarah is driving. Louis sits in the passenger seat hugging a black attached case.Cut 1: Wide aerial shot — a single car speeds up the winding pass, two pairs of headlights chasing behind.Cut 2: Inside the car — rain hammering the windshield, wipers at full speed. Sarah grips the wheel, grinning.Cut 3: Tight hairpin curve — the car drifts sideways, rear tires throwing up a huge spray of water.Cut 4: Louis slams against the door, clutching the case desperately.Cut 5: Pursuer's headlights flood the rear window with white light.Cut 6: A fallen tree blocks half the road — Sarah swerves hard, the car sways violently left and right.Cut 7: Lightning flash — the car's silhouette against the white sky for an instant.Cut 8: The car plunges into a dark tunnel, the roar of rain suddenly cut off. Only engine sound. Sarah laughs wildly.Dialogue (Japanese), with burned-in Japanese subtitles:Louis: 「前、見えてます？ほんとに見えてます？」Sarah: 「見えてなくても、道は覚えてるの！」Louis: 「この道、初めて来たって言ってましたよね」Sarah: 「初めてだか二度目だか知らないけど」Sarah: 「このケースを届けたら」Sarah: 「あたしたち、あったかいベッドで眠れるのよ！」Subtitles: Japanese subtitles at the bottom center of the screen, white text with black outline, clean sans-serif font, each line displayed in sync with the spoken dialogue.

Prompt shared by @ponzponz15 on X, made with Kling 4.0 Flash (original Japanese prompt)

{ "scene": "High-quality photorealistic live-action style clip, cinematic action film look. A long, narrow, dimly lit corridor with cold industrial lighting. The clip starts on a medium close-up of the woman from @image1 at eye level; she puts on her sunglasses, flicks her cigarette away and walks fast straight toward the camera, which retreats in front of her the whole way down the corridor. As she walks, the men from @image2 come at her in ones, twos and threes, and she takes every single one of them down without ever stopping her advance — each man beaten in a different way, punches, elbows, kicks, knees, pistol strikes, throws — no blood ever shown. Around 20 or more men in total. At the end the camera settles into a medium close-up: behind her the whole corridor floor is covered with groaning, squirming men; she says one calm line in English and steps into the elevator. The camera shakes the whole time like a handheld drone in someone's hands. No music until the end. 30 seconds.", "duration": "30s", "references": { "@image1": "the woman — her face, hair, suit, sunglasses, gloves and weapon match this sheet 1:1 in every frame", "@image2": "the enemy roster — every man who attacks her in the corridor is one of the men from this sheet, appearance 1:1, different men appearing as the fight goes on, no invented extra characters", "rule": "references are for appearance and style only; never copy any text, names, labels or layout from them" }, "style": "Photorealistic, gritty cinematic action film: realistic skin, fabric and lighting, shallow depth of field, cold desaturated color grade with warm practical lights along the corridor walls. The fighting is grounded and physical like a professional one-take action sequence — heavy, real impacts, believable weight and momentum, no superhero physics, no wire-work look, no slow motion.", "environment_lock": "One single narrow corridor for the entire clip — same walls, same cold flickering lights, same floor — ending at a metal elevator at the far end. No change of location, no doors opened, nothing else in the corridor except her and the men.", "camera_rule": "The camera floats backwards in front of her at eye level like a handheld drone, keeping her in a medium shot as she advances, and it shakes clearly and constantly the whole time — noticeable bumps, sways and quick corrections, never smooth, never still — shaking harder on the heaviest impacts. In the final part it settles into a medium close-up on her with the corridor behind her, still shaking, and holds as she turns and enters the elevator. No cuts — one single continuous take from first frame to last.", "fight_rule": "She never stops walking forward for more than a beat — every takedown happens inside her advance, fluid and efficient, and each man is defeated in a clearly different way. The variety across the fight includes: a straight punch to the face; an elbow snapped backward into a man rushing from behind; a low kick buckling a knee; a knee driven into a doubled-over man; a headbutt; a man's face slammed into the corridor wall; an arm twisted and the man thrown over her hip to the floor; a pistol drawn and its grip cracked across a jaw; two fast disabling shots to the legs of two men further away; a man's own knife arm redirected so he stumbles into his partner; a duck under a wild swing followed by a counter uppercut; a boot planted into a chest sending a man sliding back along the floor; a choke slipped and reversed; the last man dropped with a short, brutal combination. Men attack in ones, twos and threes with fists, knives and grabs; she reads every attack and answers instantly. Every man ends up down on the floor, groaning and moving weakly — defeated but alive. No blood, no wounds shown, no gore, ever.", "physical_rule": "She stays composed and economical: sharp breathing, small head checks, jacket and hair reacting naturally to every movement. The men are heavy and real — they stumble, crash into walls, drop hard, slide on the floor, and stay down squirming and groaning. Bodies never vanish; the corridor behind her visibly fills up with downed men as she advances.", "no_blood_rule": "Absolutely no blood, cuts, open wounds or gore anywhere in the clip — all impacts are shown through motion, sound and reaction only. The two gunshots hit legs off-frame or in shadow with no visible wounds.", "action": { "0-4s": "Medium close-up at eye level in the dim corridor: her face calm and cold. She slides her sunglasses on with a gloved hand, takes the cigarette from her lips and flicks it aside.", "4-6s": "Her expression hardens; she starts walking fast, straight at the camera, which begins retreating in front of her; the first silhouettes of men step out ahead.", "6-26s": "The gauntlet: as she advances down the corridor without stopping, the men from @image2 come at her in ones, twos and threes, and she takes each one down in a different way — punches, elbows, kicks, knees, throws, wall slams, a headbutt, pistol strikes and two disabling leg shots — one continuous, escalating flow of distinct takedowns, the camera shaking harder with every impact, downed men accumulating on the floor behind her the whole way.", "26-30s": "The last man drops. The camera settles into a medium close-up on her: behind her the entire corridor floor is covered with groaning, weakly moving men. Her breathing is slightly elevated, her composure intact. She straightens her jacket, says in English, flat and calm: \"That's all of them.\" — then turns, steps into the elevator at the end of the corridor, and the doors begin to close as the clip ends." }, "audio": { "music": "absolutely no music of any kind", "dialogue": "one line only, in English, spoken by her at the end, flat, calm and cold: \"That's all of them.\" — perfectly synced with her lips", "voice": "her controlled, slightly elevated breathing through the fight; short pained grunts, groans and gasps from the men as they are hit and while they lie on the floor", "sfx": "the low hum and flicker of corridor lights; her heels striking the floor in a steady rhythm; heavy, meaty impact sounds of punches, elbows, kicks and knees; bodies crashing into walls and hitting the floor; fabric snapping with fast movement; the metallic rasp of the pistol drawn and two sharp suppressed shots; a knife clattering away on concrete; at the end, the continuous low groaning of downed men along the corridor, the soft chime of the elevator and the rumble of its doors closing" }, "forbidden": [ "any blood, cuts, open wounds, gore or graphic injury", "any man dying or lying completely motionless — they all stay alive, groaning and moving weakly", "her stopping her advance for long, retreating, falling or being visibly hurt", "two takedowns performed the same way", "any cuts or shot changes — it must be one single continuous take", "slow motion, speed ramps, superhero physics or wire-work jumps", "downed men disappearing from the floor behind her", "any change of location; anything in the corridor other than her, the men and the elevator", "her appearance not matching @image1; any attacker not matching a man from @image2; invented extra characters", "a steady, smooth or non-shaking camera; camera zoom or pan away from her", "any words other than the single English line; subtitles", "any music, score, soundtrack, melody or musical sound of any kind", "anime, cartoon or 3D game CG look — it must stay photorealistic", "on-screen text, watermark" ]}

Prompt shared by @YapayZekaSerisi on X, made with Kling 4.0

20-SECOND VERTICAL VLOG (9:16) — "VOTE RED: WHY I'M SHOWING UP" FORMAT: 9:16, 30fps, handheld selfie-style smartphone footage, one continuous take with two jump cuts. Natural daylight, slightly imperfect UGC realism, front-camera wide lens, light auto-exposure shifts. CREATOR (fictional, no real person): Marcus, 28, Black American man, short fade, olive bomber jacket over a plain white tee, small silver chain. Warm, direct, conversational energy. Same wardrobe and face in every shot. WORLD: Small-town main street in the American Midwest, late afternoon golden light, brick storefronts, a hardware store, an American flag hanging from a porch, a few parked pickups. A neighborhood polling place with a plain hand-painted sign stands behind him in the last shot. SHOT 1 (0-6s): Selfie close-up, Marcus walking down the sidewalk, arm extended, breath visible in cool air. He smiles at camera and says: "Midterms are November third. I'm not sitting this one out, and neither should you." Passing cars and footsteps in the background. SHOT 2 (6-13s): Jump cut. He stops beside a diner window, leaning on the frame, gesturing with his free hand. He says: "Rent, groceries, gas, they all add up. I'm voting red because I want lower costs, safer streets, and a say in where this country goes." A waitress inside laughs at something off-camera. SHOT 3 (13-18s): Jump cut. Camera flips to the street, panning across neighbors chatting, a kid on a bike, a man opening the polling place door. Marcus narrates over his shoulder: "Whatever you believe, your vote is the loudest thing you own." SHOT 4 (18-20s): Camera flips back to selfie. Marcus stands in front of the polling place, holds up a paper "I Voted" sticker, grins, and says: "Check your registration. Show up. Vote red." He gives a firm nod. LAST FRAME: Marcus centered, smiling, holding the sticker toward camera, polling place softly blurred behind him. No on-screen text, no captions, no subtitles, no watermarks, no logos, no readable signage anywhere in frame. AUDIO (diegetic only): Marcus's natural voice with slight phone-mic compression, footsteps on pavement, distant traffic, wind, faint street chatter, a door opening. No music, no voiceover, no sound effects that aren't in the scene. CONSTRAINTS: No real public figures, no candidate names, no party logos, no campaign slogans on signs, no ballots or voter information shown. Faces stable, hands natural with five fingers, no morphing, no flicker.

Prompt shared by @bmx_ai13 on X, made with Kling 4.0

Split-screen video. Two equal vertical halves. Both halves show the SAME event, at the SAME time, frame-synchronized, filmed by two different cameras. SCENE: A quiet street, daytime. A long tall hedge wall runs along the sidewalk, too tall to see over. There is one narrow gap in the hedge ahead. A woman in a red jacket walks alone along the sidewalk on the near side of the hedge. On the FAR side of the hedge is an open grass field, where a large golden dog runs. LEFT HALF — CAMERA A: ground-level tracking shot on the sidewalk, following the woman from behind at shoulder height. IMPORTANT: from this camera, only the woman, the sidewalk, and the hedge wall are visible. The field, the dog, and anything behind the hedge are NEVER visible in the left half. The street looks calm and empty. RIGHT HALF — CAMERA B: aerial top-down drone shot, directly above, moving with the woman. This view shows BOTH sides of the hedge at once: the woman on the sidewalk, the hedge as a thin green line, and the golden dog sprinting across the field on the other side, on a converging path toward the gap in the hedge. ACTION — identical timing in both halves: 0–8s: The woman walks calmly. LEFT: peaceful, nothing unusual. RIGHT: the dog races closer and closer to the gap, its path and the woman's path clearly about to meet. 8–11s: The woman reaches the gap. The dog bursts through it. LEFT: the dog appears suddenly from nowhere, a total surprise; the woman flinches. RIGHT: the meeting looks perfectly predictable, two paths joining. 11–15s: The dog jumps up joyfully; it is her own dog greeting her. She laughs, kneels, and hugs it. Both halves show this ending. RULES: Same woman, same dog, same timing in both halves. The dog is visible ONLY in the right half until 8s. No cuts, no other people, no cars.

Prompt shared by @umesh_ai on X, made with Kling 4.0 Flash

GRAVITY HAS A DELAY: SUNSET EDITION FORMAT 20 seconds, 16:9 landscape, one uninterrupted continuous shot. Ultra-photorealistic viral smartphone footage with bold in-camera atmospheric VFX. Diegetic sound only. CONCEPT A young Indian tricking athlete performs one escalating acrobatic combination at golden-hour sunset. Her speed makes air, light, dust, petals, shadows and lens flare react a fraction of a second late. The effect is physical and optical, never magical: atmospheric refraction, prism splitting, suspended golden dust, pressure ripples, delayed shadows. No glowing aura, portals, clones or afterimage silhouettes. LOCATION Quiet Indian neighborhood park. Worn terracotta-red court with faded white lines, low stone boundary wall, blooming gulmohar trees, apartment blocks and a rooftop water tank in silhouette, one parked yellow auto-rickshaw beyond the wall. Huge orange sun low behind her: intense backlight, long shadows, warm drifting haze. Fallen gulmohar petals, dry leaves and fine golden dust on the court. The environment stays physically rigid; any distortion of trees, buildings or wall comes only from localized air refraction. ATHLETE (LOCKED) Indian woman, mid-20s, warm brown skin with visible pores and light sweat, large dark expressive eyes, long black braid, small gold nose stud, thin gold hoop earrings. Loose rust-orange oversized cotton shirt, fitted black joggers, white sneakers, red thread on one wrist. Identical face, body, braid length and outfit throughout. CAMERA Handheld consumer smartphone, 26mm equivalent, chest height, operated by a friend close to the court. Natural micro-shake, imperfect framing, slightly delayed pans, mild rolling shutter, autofocus breathing. Sun flare shifts with framing. No cuts, orbit, drone or dolly. Full body visible during every major trick. TIMELINE 0.0-2.5s THE CALM: Wide handheld. She stands mid-court in strong backlight, rises onto her toes, exhales, adjusts her braid. Petals drift. One small imperfect framing correction. Everything feels normal. 2.5-6.0s FIRST CRACK: She accelerates into a fast twisting side aerial. A subtle refractive wake trails about 30 cm behind her, bending the sunset, wall and trees like heat haze. A narrow natural rainbow fringe flashes along her shirt edge. Court dust rises slightly late. Clean landing, she continues forward. 6.0-10.0s LIGHT SPLITS: Corkscrew backflip. Compressed air forms a curved glass-like lens around her; the sun stretches into arcs and splits briefly into red, green and blue prism bands. Falling petals hang for a fraction of a second, then resume. Her shadow trails half a second behind her body, then snaps into alignment on landing. The lens collapses in a short outward burst of golden dust. 10.0-14.5s REALITY LAGS: One-hand cartwheel into running roundoff and twisting aerial. Dust and petals hang in her wake like particles in amber, then surge forward to catch up. Thin heat-haze ribbons peel off her fastest limbs. Distant trees and buildings stretch optically for a few frames while the real environment stays stationary. Sunlight curves around her silhouette. Sun-glints travel across sweat on her face, arms and braid. The camera struggles to keep pace. 14.5-17.8s THE BREAK: Her highest twisting backflip, believable human height and biomechanics. Near the apex the backlit sunset fractures into three offset refractive layers around her, like cracked glass. Her real body stays singular and sharp. The refracted background arrives milliseconds late. Petals and dust beneath her blow outward just before her shoes touch down, as if the landing pressure arrived early. Sun flares hard across the lens. 17.8-18.7s GRAVITY SNAP: Both feet strike the court. All distortion collapses toward her. A circular pressure ripple crosses the court; petals, dust and leaves hop outward in an expanding ring. Shirt hem and braid snap outward. Stone wall, buildings, trees and auto-rickshaw stay rigid. The ground never cracks or deforms. 18.7-20.0s BACK TO REALITY: All abnormal effects vanish. Normal golden-hour atmosphere. She takes one corrective step, exhales, gives a breathless satisfied smile and walks toward camera. Warm sun rim-lights her face and braid. The operator lowers the phone slightly, keeping her framed. Her face goes slightly soft from autofocus. Warm flare crosses the lens. PERFORMANCE Real tricking-athlete movement: true weight, momentum, preparation, rotation speed and landing recovery. Escalation comes from speed, complexity and environmental reaction, not impossible movement. No superhuman height, floating or mid-air direction changes. VFX Everything is caused by air pressure, heat, dust and light: heat-haze refraction, sunlight bending, chromatic prism splitting, delayed shadows, suspended dust, petal displacement, pressure waves, lens flare lag, brief optical background displacement. Never create visible copies of the athlete or humanoid trails. SOUND (DIEGETIC ONLY) Evening wind in trees, distant crows and parakeets, faint street ambience, cloth flutter, sneaker friction on the court, natural breathing, palm contact in the cartwheel, weighty landing thumps, dry petals and dust skittering. At the final landing, one low physical air-pressure thud with short natural resonance. No music, dialogue, voiceover, electronic or magical sounds. PHOTOREALISM Smartphone dynamic range, natural highlight clipping around the sun, realistic auto-exposure shifts as she crosses the backlight, authentic skin texture and sweat, no beauty smoothing, accurate braid and loose-shirt physics, consistent shadows, natural motion blur, visible handheld imperfections. LAST FRAME Warm sunset flare over the court, the athlete walking toward camera, softly focused. Ends naturally at exactly 20.0s. NO on-screen text of any kind: no title card, captions, subtitles, logos, watermarks, letters or numbers anywhere in frame. No artificial outro. NEGATIVE No glowing aura, neon, lightning, energy beams, portals, fire or fantasy particles. No clones, duplicate bodies, human-shaped afterimages, extra limbs or broken anatomy. No face morphing, hairstyle or outfit changes. No levitation, slow motion or speed ramps. No cuts, hidden transitions or impossible camera movement. No movement or deformation of buildings, walls or ground. No background flicker or supernatural environment change.

Prompt shared by @bmx_ai13 on X, made with Kling 4.0

A realistic cinematic scene begins in a vast open field under a warm golden sky during late afternoon. A man dressed in a dark suit stands in the foreground, holding a modern recurve bow. His posture is steady and focused, breath controlled, eyes locked on a distant archery target placed far on the horizon. The environment feels quiet and expansive, with subtle wind moving the grass and soft sunlight creating long shadows. As he releases the string, the arrow launches forward with a sharp snap. The camera immediately accelerates and locks onto the arrow mid flight. The camera tracks directly behind and slightly beside the arrow, maintaining perfect alignment as it cuts through the air. Motion blur surrounds the background while the arrow remains sharp and centered. The sound of rushing wind intensifies as the arrow travels straight and true. The target grows rapidly larger. In the final seconds, the camera closes in tightly as the arrow strikes the bull’s eye dead center. End on an extreme close up of the arrow embedded in the red center, vibrating slightly, with crisp impact sound and dramatic silence.

Prompt shared by @umesh_ai on X, made with Kling 4.0 Flash

15秒、16:9、8カット構成のシネマティックな超上級パルクール映像。 主人公は image_1 の人物。 添付画像をキャラクターデザインの参照として使用し、髪型、髪色、服装、配色、年齢感、体格、全体の雰囲気を全カットで一貫して維持すること。 舞台は快晴の現代日本の都市。 東京、渋谷、横浜を思わせる屋上、路地、階段、手すり、配管、コンクリート壁を舞台に、主人公が世界トップレベルのフリーランニングを披露する。 【カット1｜00:00〜00:01.60】 ローアングル後方追従。 主人公が一気に加速し、腰ほどの高さの障害物をコングヴォルトで飛び越える。 【カット2｜00:01.60〜00:03.40】 正面ローアングル。 ウォールランからティックタックを決め、向かいの屋上へジャンプして着地する。 【カット3｜00:03.40〜00:05.20】 横方向トラッキング。 プレシジョンジャンプで細い足場へ着地し、そのままキャットリープで高い壁へ飛びついて登る。 【カット4｜00:05.20〜00:07.20】 屋上追従ショット。 ダッシュヴォルトで障害物を越え、そのままウェブスターで屋上の隙間を飛び越える。 【カット5｜00:07.20〜00:09.20】 俯瞰移動カメラ。 ダイブロールで着地の衝撃を吸収し、そのまま長い手すりをスピードヴォルトで攻略する。 【カット6｜00:09.20〜00:11.30】 正面から後退するハンドヘルド撮影。 アンダーバーで低い障害物を通過し、その直後にサイドフリップで次の障害物を越える。 【カット7｜00:11.30〜00:13.20】 後方斜め上からのドローン撮影。 パームスピンからコングヴォルトへ滑らかにつなぎ、最後のジャンプへ向けて全力で加速する。 【カット8｜00:13.20〜00:15.00】 クライマックス。 大きな屋上の隙間へ向かって跳躍し、高く美しいコークスクリューを決める。 カメラは空中で主人公の周囲を回り込む。 正確に着地した後、そのままスピードを落とさず画面奥へ走り去る。 【映像スタイル】 実写映画品質。 世界大会レベルのフリーランニング。 リアルな重心移動。 自然な筋肉の動き。 リアルな着地衝撃。 髪や衣装が風や動きに合わせて自然に揺れる。 背景は鮮明に保ち、高速移動中のみ自然なモーションブラーを使用する。 【禁止】 人物の雰囲気や服装が大きく変化すること。 髪型や配色の不自然な変化。 顔や身体の崩れ。 手足の増殖。 分身。 身体の融合。 貫通。 電線を通過すること ワープ。 浮遊。 不自然な着地。 アニメ調。 CG調。

Prompt shared by @Ayu_AI_0912 on X, made with Kling 4.0 Flash (original Japanese prompt)

Use the uploaded reference image as the primary visual reference. Preserve the reference image’s character identity, face design, hairstyle, body proportions, clothing, accessories, dominant colors, rendering style, lighting style, and overall atmosphere throughout the entire video. If the reference is anime, keep the entire film anime. If it is chibi, preserve the chibi proportions. If it is photorealistic, keep premium live-action realism. If it is painterly, cel-animated, stylized 3D, graphic, or illustrated, preserve that same visual language consistently. Create a 20-second fast-paced premium food commercial showing one continuous forward process of making a double smash cheeseburger. The same hero from the reference image prepares the burger from beginning to end. No dialogue. No presenter behavior. No unnecessary posing. The hero behaves like an expert cook: fast, confident, precise, physically believable. 0:00–0:01.2 — BEEF IMPACT Two raw beef balls are already falling toward a screaming-hot flat-top griddle. Start with an extreme low-angle camera almost touching the hot steel. The camera rapidly retreats backward as the two beef balls fall toward it. Both hit the griddle almost simultaneously with heavy physical weight. Hot fat immediately spits outward. Strong sizzling begins. No establishing shot. Action begins on the first frame. 0:01.2–0:02.7 — DOUBLE SMASH Immediately smash both beef balls into thin patties. True 90-degree overhead camera. The metal press strongly compresses the first beef ball against the griddle, then moves directly to the second as one uninterrupted action. Show the meat physically spreading outward under pressure. The edges become thin, rough, and irregular. Do not smash either patty again later. Fast, aggressive cooking rhythm. 0:02.7–0:04.0 — CRUST MACRO Extreme macro at griddle level. Rendered beef fat bubbles violently around the paper-thin edges. Show the meat visibly changing from raw red to deep brown as a crisp crust develops. Tiny droplets of fat jump from the surface. Very short compressed-time transformation. The food texture should be extremely appetizing. 0:04.0–0:05.3 — SCRAPE AND FLIP A sharp metal spatula scrapes beneath the first patty. Camera tracks directly beside the spatula edge as it releases the browned crust from the steel. The hero rapidly flips the first patty, then the second. Brief slow-motion accent only at the first flip apex. Both patties land cooked-side-up. Keep the movement compact and physically realistic. 0:05.3–0:06.6 — CHEESE Two cheese slices land directly onto the hot patties. Use a fast top-down shot transitioning into extreme macro. The cheese immediately softens from the heat. Corners begin folding naturally over the rough patty edges. Steam rises between the meat and cheese. 0:06.6–0:07.8 — MELT + HEAT Ultra-macro close-up. Molten cheese becomes glossy and slowly drapes over the patties. Rendered beef juice beads along the crisp edges. Move the camera through thin layers of steam toward the melting cheese. A small, brief flame flickers near the griddle edge from hot rendered fat. The flame must be physically caused by the cooking process. No explosion. 0:07.8–0:09.2 — DOUBLE STACK Low camera at patty level. The spatula lifts one cheese-covered patty. Follow it upward. The hero places it directly onto the second cheese-covered patty. The patties compress slightly on contact. Molten cheese folds between both meat layers. Small beads of meat juice appear along the edges. This is a major food spectacle moment. 0:09.2–0:10.7 — SAUCE + BOTTOM BUN Cut to a toasted bottom bun already waiting at the assembly station. Strict overhead framing. Apply one controlled spiral of burger sauce. Immediately place the hot double-cheese patty stack onto the bun. The sauce compresses slightly underneath the meat. Do not add sauce again. 0:10.7–0:12.0 — TOPPINGS Quickly add pickles and finely sliced onion. Each topping is added once. The camera skims rapidly across the work surface following the ingredients toward the burger. Finish with the toasted top bun entering frame. 0:12.0–0:13.3 — FINAL PRESS The top bun lands onto the burger. Tight food-level close-up. The hero performs one controlled downward press with the palm. The burger compresses naturally. Molten cheese bulges slightly from between the two patties. A small amount of meat juice glistens along the edges. The soft toasted bun rebounds slightly after pressure is released. Do not open or rebuild the burger afterward. 0:13.3–0:15.2 — HERO + BURGER REVEAL The hero lifts the completed double smash cheeseburger. Start extremely close to the burger. Show: deeply browned crispy patty edges, two thin beef layers, molten cheese between them, glossy burger sauce, pickles and onion, soft toasted bun, subtle steam. Slowly pull backward and upward until the same hero from the reference image is clearly visible behind the burger. Keep the burger dominant in the foreground. 0:15.2–0:16.7 — BEAUTY MOMENT Short cinematic food beauty shot. Orbit approximately 30 degrees around the burger while the hero holds it naturally with both hands. Warm steam rises. Molten cheese remains soft. Do not make the burger unrealistically perfect. Keep irregular crispy meat edges and believable food texture. The hero looks at the burger with natural anticipation rather than looking at the camera. 0:16.7–0:18.3 — BIG BITE The hero brings the burger naturally toward the mouth and takes one large, satisfying bite. Use a medium-close shot. The mouth opens only for the physical bite. The teeth compress the soft bun, melted cheese, and double patties. The burger visibly deforms under the bite. A small strand of melted cheese stretches naturally from the bitten section. Do not create an exaggerated infinite cheese pull. The hero pulls the burger away after the bite. The fresh bite mark clearly reveals the double patty and molten cheese interior. 0:18.3–0:20.0 — DELICIOUS FINAL REACTION Stay close on the hero and burger. The hero chews naturally and silently. No talking. No exaggerated cartoon reaction. The eyes soften slightly and the expression becomes genuinely pleased. A restrained satisfied smile appears after chewing. The hero briefly looks down at the burger as if impressed by how good it tastes. The camera makes a gentle final push toward the bitten burger. End with the burger in sharp foreground focus, showing: fresh bite cross-section two browned beef patties molten cheese toasted bun glossy sauce tiny beads of meat juice gentle steam The satisfied hero remains softly visible behind it. Hold the final image briefly. The ending should communicate purely through performance: "This is extremely delicious." CONTINUITY LOCK Maintain one continuous forward cooking process: raw beef → smash → crust formation → flip → cheese → melt → double stack → sauce → toppings → bun → final press → lift → bite → satisfied reaction. Never return to an earlier cooking stage. Never: create extra patties smash the patties twice flip the patties twice add cheese twice reapply sauce rebuild the burger replace the finished burger with a visually different burger remove the bite mark after the hero bites it After the bite, the exact same burger must retain the visible bite mark until the final frame. CHARACTER CONSISTENCY Keep the same character from the reference image throughout all shots. Preserve: face, eyes, hair, body proportions, clothing, accessories, color palette, art style. Do not gradually change the character into another design. If the reference is stylized or chibi, do not convert the character into realistic human proportions. FOOD PHYSICS Maintain believable: gravity, meat weight, pressure, friction, heat, fat rendering, steam, cheese melting, bun compression, bite deformation. No floating ingredients. No teleportation. No spontaneous food assembly. No duplicated ingredients. No magical fire. No impossible cheese elasticity. CAMERA STYLE Fast premium food-commercial cinematography. Use strong variation: griddle-level macro → true overhead → extreme texture macro → spatula tracking → flip angle → cheese macro → steam-layered close-up → low stacking shot → overhead assembly → work-surface tracking → compression macro → hero reveal → short product orbit → eating close-up → final bitten-burger push-in. Every camera move must have a clear physical path. Avoid random camera shaking. LIGHTING Adapt the lighting style to the uploaded reference image while keeping the burger extremely readable and appetizing. Emphasize highlights on: crispy beef crust rendered meat fat molten cheese steam glossy sauce toasted bun fresh bite cross-section Keep lighting direction coherent throughout the film. AUDIO No dialogue. Use synchronized cooking and eating sounds only: beef hitting hot steel intense sizzling metal press contact spatula scraping patty landing cheese sizzling brief flame crackle burger assembly bun compression soft bite crunch subtle chewing No narration. No cinematic booms. No artificial risers. No unrelated transition sound effects.

Prompt shared by @Ukiyo_il on X, made with Kling 4.0

[FORMAT] Duration: 15 seconds Aspect Ratio: 9:16 Style: premium cinematic photorealism, live-action fashion film, neo-gothic realism Mood: cool, elegant, mysterious, deadpan comedy, subtle supernatural atmosphere Visual quality: high-end luxury fashion commercial, realistic skin, realistic fabric, realistic rain and weather physics No dialogue. No subtitles. No text. No logos. No watermark. [CHARACTER REFERENCE] Use the attached character sheet as the ONLY appearance reference for the female character. Preserve her exact identity throughout the entire video. CHARACTER APPEARANCE: - young woman - delicate pale skin - refined symmetrical facial structure - warm brown eyes - short white bob haircut - straight blunt bangs across the forehead - white hair forming a clean rounded bob silhouette - soft pink underlayer visible around the lower back and sides of the hair - pink hair must remain subtle and positioned underneath the white outer layer - slim natural body proportions - elegant restrained posture OUTFIT: - fitted black gothic school-inspired dress - white pointed collar - narrow black necktie - structured slightly puffed shoulders - long black sleeves - fitted waist - pleated black skirt - black knee-high lace-up leather boots Maintain exactly the same: face, age, hair length, white hair color, pink underlayer, bangs, body proportions, outfit, boots, facial identity. The character sheet defines ONLY the girl's physical identity, hairstyle, clothing and body proportions. Do NOT reproduce: the white character-sheet background, multiple character views, reference labels, studio layout, character-sheet typography. [WORLD / LOCATION] Location: A quiet neo-gothic fashion district in Tokyo during blue hour, immediately after sunset. The architecture combines: dark stone facades, minimal contemporary Japanese architecture, narrow pedestrian streets, large dark glass windows, subtle warm architectural lights. The environment should feel sophisticated rather than futuristic. Avoid excessive cyberpunk imagery. No giant neon signs. No colorful advertisements. No readable text. The street is covered with rainwater. Wet black pavement produces beautiful reflections. Cool blue-gray ambient lighting dominates the scene. Very subtle pale pink reflections appear occasionally on the wet pavement, visually complementing the girl's pink hair underlayer. The environment should feel: expensive, minimal, quiet, cinematic, slightly surreal. [CORE STORY] The girl is calmly walking through heavy rain without an umbrella. A single raindrop lands directly on her cheek. She quietly becomes mildly annoyed. She looks upward at the storm clouds. Without making any magical gesture, the entire storm above the city is suddenly blown away by an invisible supernatural force. The rain stops. The sky clears. She casually continues walking as though this is completely normal. The humor comes entirely from the contrast: EXTREMELY dramatic supernatural weather phenomenon versus almost zero emotional reaction from the girl. [SHOT 1 — 0.0 to 3.2 sec] Cinematic full-body front tracking shot. The girl walks slowly toward the camera through heavy rain. The camera smoothly tracks backward in front of her. Her posture is elegant and confident. She walks like a fashion model, but naturally, not exaggerated. She carries NO umbrella. She does not hurry. She does not protect herself from the rain. Her face is neutral. Rain falls heavily around her. Water splashes subtly beneath her leather boots. The wet pavement reflects cool city lights. Her white bob haircut becomes slightly damp, but its exact shape and hairstyle remain recognizable. The pink underlayer becomes subtly visible when the hair moves. Her black dress moves gently in the wind. Keep her movements graceful and minimal. [SHOT 2 — 3.2 to 5.7 sec] Smooth transition into a medium close-up. One visible raindrop lands on her cheek. She immediately stops walking. Do not exaggerate the impact. She remains silent. A very subtle change occurs in her expression: her eyes narrow almost imperceptibly. Her lips remain relaxed. She does NOT frown dramatically. She slowly lifts one hand. Using only the tip of her index finger, she gently touches the raindrop on her cheek. She looks briefly at the moisture on her fingertip. Her expression communicates: "Seriously?" but without exaggerated emotion. Very subtle deadpan irritation. After a short pause, she slowly lowers her hand. [SHOT 3 — 5.7 to 7.5 sec] Tight cinematic close-up. She slowly raises her chin. Her brown eyes move upward first. Then her head follows. She looks directly toward the stormy sky. No hand gesture. No spellcasting pose. No dramatic movement. She simply stares upward. A soft gust of wind begins. Her white bob moves subtly. The pink lower layer of her hair briefly becomes more visible. The soundless visual tension increases. Rain begins bending slightly sideways. Her expression stays cool and almost emotionless. [SHOT 4 — 7.5 to 11.0 sec] The camera smoothly tilts upward from the girl's face toward the sky. Massive dark storm clouds fill the sky above the city. The clouds begin rotating slowly. Then the motion rapidly intensifies. A perfectly circular opening begins forming directly above the girl. Suddenly, an enormous invisible atmospheric force erupts outward from the center. The storm clouds are violently pushed away in every direction. The cloud layer races toward the horizon. Create a spectacular gigantic circular clearing effect across the sky. The scale should feel enormous. The entire city atmosphere changes within seconds. Rain instantly becomes lighter. Then stops completely. Important: There is NO visible magic. No magical energy. No beam. No lightning attack. No fire. No explosion. No glowing aura. No supernatural symbols. It should look as though the atmosphere itself obeyed her silent annoyance. [SHOT 5 — 11.0 to 13.0 sec] Epic cinematic wide shot. The storm is completely gone. A vast clear sky appears above Tokyo. Soft golden sunlight breaks through. Cool rainy blue lighting transitions into gentle warm sunlight. The wet pavement catches beautiful golden reflections. Water continues dripping from rooftops. Small droplets fall from her hair and dress. The girl's white hair glows softly in the sunlight. Her pale pink underlayer catches a very subtle warm highlight. She stands motionless for one moment. She looks at the clear sky. No smile. No satisfaction. No dramatic reaction. Just a tiny relaxed blink. Then she lowers her gaze. [SHOT 6 — 13.0 to 15.0 sec] Medium frontal tracking shot. She casually begins walking again. Her body language communicates: problem solved. She does not look back. She does not acknowledge what happened. Camera smoothly moves backward as she approaches. FINAL VISUAL JOKE: A single leftover raindrop falls from the edge of a building directly toward the top of her white hair. Just before it touches her, a tiny invisible gust of wind pushes the raindrop sideways. The droplet completely misses her. She does not even notice. She continues walking. Final frame: beautiful medium close-up. Calm expression. White bob haircut with subtle pink underlayer. Clear sky behind her. Warm sunlight illuminating one edge of her face. She looks directly past the camera, completely uninterested in the supernatural event she just caused. Cut. [CHARACTER PERFORMANCE] Extremely important: The girl is NOT angry. She is NOT scary. She is NOT theatrical. Her personality should feel: cool, elegant, emotionally restrained, slightly spoiled, quietly powerful, naturally confident. Use micro-expressions rather than obvious facial expressions. Her strongest emotional reaction in the entire video should only be: a tiny narrowing of her eyes after the raindrop touches her cheek. Avoid smiling. Avoid dramatic eyebrow movement. Avoid exaggerated head movement. Avoid aggressive gestures. [GESTURE DESIGN] All gestures should be slow, refined and minimal. Walking: straight posture, relaxed shoulders, controlled pace, small natural arm movement. Raindrop reaction: stop walking, small pause, raise one hand, touch cheek delicately with one fingertip, briefly inspect fingertip. Looking at sky: eyes move upward first, slight chin raise afterward. Weather transformation: girl remains nearly motionless. After sky clears: one relaxed blink, slightly lower chin, resume walking immediately. [CAMERA LANGUAGE] Premium fashion-film cinematography. Use: smooth tracking camera, slow cinematic push-in, medium close-ups, shallow depth of field, clean facial close-up, dramatic upward tilt, one epic wide environmental shot. Avoid excessive editing. Avoid fast random cuts. Avoid aggressive handheld motion. Avoid orbiting camera. Avoid fisheye lens. Avoid excessive zooming. The girl's identity must remain clearly visible throughout. [LIGHTING] BEGINNING: cool blue-gray storm lighting, soft diffused overcast illumination, wet skin highlights, subtle architectural lights, deep black clothing, soft pale pink reflections. AFTER WEATHER CLEARS: warm natural sunlight, soft golden rim light, bright neutral skin tones, subtle shine on white hair, slightly illuminated pink underlayer, wet pavement reflecting sunlight. Do not oversaturate the image. [HAIR CONSISTENCY] Extremely important. Keep the hairstyle consistent throughout the entire video. Short white rounded bob. Straight blunt bangs. Pink underlayer ONLY underneath the white hair, mainly visible near the back and lower sides. Do NOT turn the entire hair pink. Do NOT remove the pink layer. Do NOT make the hair long. Do NOT create a ponytail. Do NOT create braids. Do NOT change the bangs. Wind may move the hair, but the hairstyle must return naturally to its original form. [ENVIRONMENT CONSISTENCY] Maintain the exact same street throughout the sequence. No location change. No teleportation. No sudden architecture change. Only the weather and lighting change. Keep background pedestrians extremely limited. The girl must remain the clear visual focus. [NEGATIVE PROMPT] anime, cartoon, illustration, 2D, CG character, different woman, different face, face morphing, identity change, older woman, child, long hair, braids, ponytail, black hair, blonde hair, fully pink hair, missing pink underlayer, different haircut, uneven bob haircut, different bangs, different clothing, colorful clothing, umbrella, raincoat, hat, gloves, jewelry, smiling, laughing, crying, screaming, angry face, exaggerated expression, dramatic acting, magic wand, spellcasting, hand magic, magic circle, glowing eyes, energy beam, energy aura, superhero pose, lightning attack, fire, explosion, city destruction, levitation, flying, multiple girls, duplicate character, extra arms, extra legs, extra fingers, malformed hands, deformed anatomy, distorted face, warped body, character sheet, split screen, text, subtitles, logo, watermark, excessive cyberpunk, giant neon signs, random camera shake, flickering, frame instability

Prompt shared by @tokyo_Valentine on X, made with Kling 4.0 Flash

30-second cinematic live-action commercial featuring the woman from the supplied reference image and the fictional protein drink "RUNELIQ BANANA 15." Use the supplied woman reference image as the visual basis for the main character. MAIN CHARACTER A young adult woman with a short natural blonde bob haircut, fair skin, light-colored eyes, and a fresh, calm appearance. She wears a simple light-blue short-sleeve athletic T-shirt and matching sporty summer clothing. Her styling should remain minimal, clean, natural, and realistic. She has just finished a light jog or brisk walk through the city. Maintain the same facial appearance, hairstyle, body proportions, clothing style, and overall natural atmosphere as the supplied reference image. Do not turn her into a fantasy character. PRODUCT RUNELIQ BANANA 15: A slim 400 mL bottle containing a smooth pale-yellow banana protein drink. The bottle has a yellow cap and a clean cream-colored label with navy typography and yellow accents. The front label prominently features: "RUNELIQ" "PROTEIN DRINK" a large navy "15" "PROTEIN 15 g" "SMOOTH BANANA" "400 mL" Keep the product bottle visually consistent with the supplied product reference. Do not redesign the bottle, cap, label, logo, typography hierarchy, or color scheme. SETTING A bright summer city street with trees and greenery, matching the atmosphere of the supplied woman reference. Clean modern pedestrian walkway, soft urban architecture in the distance, roadside trees, warm daylight, and a calm post-workout atmosphere. The location should feel realistic, relaxed, and premium rather than crowded or overly commercial. The overall color palette should feel fresh and restrained: light blue, soft green, cream, banana yellow, and clean neutral tones. STRUCTURE 0–5 seconds: Begin with a cinematic side-follow tracking shot. The woman is lightly jogging through a quiet summer city street lined with trees. Her pace is natural and relaxed rather than intense athletic training. Sunlight filters softly through the leaves. Her short blonde hair moves gently in the breeze. The camera alternates between: a medium side-follow shot, a brief close-up of her running shoes touching the pavement, and a natural close-up of her face. She gradually slows to a walk. BGM begins immediately: bright, light, modern commercial music with soft acoustic guitar, gentle percussion, subtle electronic rhythm, and a fresh summer feeling. 5–10 seconds: The woman reaches a shaded bench or resting area beside the walkway. She takes a slow breath and wipes a small amount of perspiration from her forehead. She reaches into a small sports bag or picks up a chilled RUNELIQ BANANA 15 bottle placed beside her belongings. Cut to a clean product close-up. Condensation is visible on the bottle. The pale banana-colored drink, yellow cap, cream label, navy typography, and large "15" are clearly visible. Use a soft focus pull from the condensation droplets to the product label. 10–15 seconds: The woman opens the yellow cap. Include a realistic cap-opening sound. She takes a natural sip. Use a medium close-up. Her expression subtly relaxes. She looks toward the camera with a small, satisfied smile. Woman: 「動いたあとに、ちょうどいい。」 The delivery should feel conversational and calm, not like a loud announcer. 15–20 seconds: The woman continues walking slowly along the tree-lined sidewalk while holding the bottle. Cut between: a relaxed medium walking shot, a close-up of the bottle in her hand, and a soft profile shot of her enjoying the summer air. Woman: 「まろやかなバナナ味で、たんぱく質15グラム。」 During the bottle close-up, keep the large "15" and product branding clearly visible. Do not introduce unrelated text overlays. 20–25 seconds: The woman sits briefly on a bench under the trees. She looks at the bottle, then toward the city street ahead. The atmosphere feels light and unhurried. She gently raises the bottle toward the camera. Woman: 「400ミリリットルだから、運動のあとにも飲みやすい。」 Keep this line casual and natural. Do not imply medical benefits, recovery effects, muscle growth, or performance enhancement. 25–30 seconds: Transition into a polished product hero shot. RUNELIQ BANANA 15 stands upright on a clean light-colored surface in natural summer daylight. A fresh banana is placed beside the bottle. A few banana slices may be arranged subtly near the base. The woman remains softly visible in the background, slightly out of focus, standing beneath green trees. She looks toward the camera with a relaxed smile. Final spoken line: Woman: 「RUNELIQ BANANA 15。」 Optional short closing voice line: Woman: 「動いたあとを、軽やかに。」 End with a slow cinematic push-in toward the bottle. The BGM resolves with a clean, light musical finish. VISUAL STYLE Photorealistic live-action Japanese beverage commercial. Fresh, modern, summery, natural, and premium. The woman should look like a real person photographed outdoors with a real camera. Use: natural human skin texture, subtle perspiration after exercise, realistic short blonde hair strands, natural light-blue athletic fabric, physically believable bottle plastic, real condensation, realistic translucent pale-yellow liquid, and soft natural daylight. Use realistic exposure, gentle contrast, restrained saturation, and soft highlights. Avoid: CGI-looking skin, 3D-render appearance, plastic skin, heavy beauty filters, excessive commercial gloss, overexposed highlights, oversaturated colors, or artificial bloom. The bottle should remain sharp and visually accurate whenever it becomes the main subject. CAMERA STYLE 0–5 seconds: smooth side-follow jogging shot, short running-detail inserts. 5–10 seconds: medium resting shot followed by clean product close-up. 10–15 seconds: medium close-up during cap opening and drinking. 15–20 seconds: gentle walking follow shot mixed with bottle close-up and profile coverage. 20–25 seconds: stable medium lifestyle shot with subtle slow push-in. 25–30 seconds: premium product hero shot with shallow depth of field and a very slow push-in. Use realistic commercial focal lengths, natural depth of field, subtle motion blur, smooth focus pulls, and restrained handheld micro-movement. AUDIO BGM throughout the full 30 seconds. Music style: light acoustic guitar, soft percussion, subtle modern electronic rhythm, gentle bells or light melodic accents, fresh summer commercial feeling, clean and uplifting tempo. The BGM should never overpower the dialogue. Environmental sounds: light summer breeze, soft footsteps, distant city ambience, leaves moving gently, subtle breathing after exercise. Product sounds: cap opening, light bottle handling, natural drinking sound. DIALOGUE All spoken dialogue is in natural Japanese. Woman: 「動いたあとに、ちょうどいい。」 Woman: 「まろやかなバナナ味で、たんぱく質15グラム。」 Woman: 「400ミリリットルだから、運動のあとにも飲みやすい。」 Woman: 「RUNELIQ BANANA 15。」 Optional closing line: 「動いたあとを、軽やかに。」 IMPORTANT No subtitles. No unrelated on-screen text. No extra logos. No fantasy elements. No magical effects. No exaggerated reactions. Maintain exact visual consistency with the supplied woman reference image. Keep: short blonde bob hairstyle, light-blue athletic clothing, fair skin, natural makeup, and realistic summer sports styling consistent throughout all shots. Keep the RUNELIQ BANANA 15 bottle visually consistent with the supplied product reference. The commercial should clearly communicate: smooth banana flavor, 15 g protein, 400 mL bottle, post-activity convenience. Do not add unsupported medical claims. Do not claim recovery effects. Do not claim muscle growth. Do not claim improved performance. Do not claim health benefits beyond the supplied product information. The final impression should feel fresh, light, urban, natural, and premium.

Prompt shared by @towya_aillust on X, made with Kling 4.0 (original Japanese prompt)

Cinematic live-action fantasy dialogue scene inside a dim medieval harbor warehouse. Use this exact shot composition as the basis: Liliana is kneeling beside the injured husband and treating his wound at close range. The husband is sitting on the floor, leaning against rough old wooden boards. Liliana is focused on first aid, gently pressing cloth and herbs against his chest wound while listening carefully. The husband looks tired, injured, and uneasy, but conscious and able to speak. Characters: リリアナ / Liliana Liliana is a young elf girl with pale blonde twin-tail hair tied with sage-green ribbons, long pointed ears, large green eyes, and a gentle but serious expression. She wears an elegant sage-green dress with ivory lace details. She cannot use magic and is treating the wound with practical herbs, cloth, and first-aid knowledge. Injured Husband The husband is a middle-aged harbor worker with a weathered face, short dark hair graying at the temples, trimmed stubble, and tired blue-gray eyes. He wears an off-white linen shirt and a worn dark brown leather vest. He is injured but stable. Scene tone: Quiet, intimate, and tense. The battle is already over. This is a calm investigative conversation immediately after rescue. The warehouse background should feel dark, old, wooden, and grounded, with soft natural light and a realistic live-action fantasy atmosphere. Action: Liliana continues treating the husband’s wound throughout the conversation. Her hands remain busy with cloth and herbs while she speaks. The husband answers between breaths, occasionally glancing down or away as he remembers what happened. Keep the acting natural and restrained, not theatrical. Liliana should sound concerned and attentive. The husband should sound tired, serious, and slightly shaken. Dialogue: Liliana: 「何があったの？」 Husband: 「昨夜……見たことのない荷物が運び込まれたんだ。」 Husband: 「大きな箱だった。中から……音がしてた。」 Liliana: 「誰が運んできた？」 Husband: 「顔は見てない。よなかだった。」 Husband: 「港の連中じゃなかった。」 Husband: 「黒いマントの連中が、あの箱を運び込んだ。」 Performance notes: All spoken dialogue is in natural Japanese. No subtitles. No on-screen text. Lip sync should match the Japanese dialogue naturally. Liliana should maintain gentle eye contact when asking questions, then briefly return her gaze to the wound while continuing treatment. The husband should speak with fatigue and discomfort, pausing slightly between lines as if recalling the memory carefully. Camera: Single continuous medium close-up or tight two-shot. Keep the framing focused on Liliana and the husband. Subtle handheld micro-movement is allowed, but keep the shot stable and intimate. No major camera repositioning. Let the emotional focus stay on the exchange and the wound treatment. Visual style: Photorealistic live-action dark fantasy. Natural skin texture, realistic cloth, believable herbs and bandages, worn wood in the background, soft moody lighting, grounded medieval realism. No magic effects. No modern objects. No exaggerated anime reactions.

Prompt shared by @towya_aillust on X, made with Kling 4.0 (original Japanese prompt)

"A 20-second ultra-photorealistic live-action university vlog of a European brunette in her mid-20s waking to a rainy morning, making coffee, getting ready, grabbing her umbrella, walking through a wet city, and arriving at university just before class. Modern smartphone vlog style: natural handheld movement, subtle shake, autofocus changes, realistic rain, puddles, reflections, traffic, umbrellas, wet clothing, natural expressions and believable human movement. Dialogue: "Good morning… apparently, it's raining." → "First coffee. Then lecture." → "Two minutes early. I'm impressed." → "Okay, made it." Natural diegetic audio only. No music, narration, CGI look, artificial rain, face changes, distorted anatomy, impossible physics, subtitles, logos or watermark. 16:9 • 24fps • 4K • Ultra-photorealistic live action"

Prompt shared by @rafalors on X, made with Kling 4.0 Flash

【最重要：セリフ】画像1の女の子が、次の日本語のセリフを一字一句そのまま、省略せず、最初から最後まで全部しゃべる。日本語の声、日本語の発音。中国語は一切禁止。セリフは約17秒かかるので、1秒目から19秒目までずっとしゃべり続ける。セリフ：「通りすがりに失礼します。あなたの意見は一見正しそうですが、論理的に矛盾だらけです。そもそも、麺は茹でたてが一番という前提を無視して発言するのはいかがなものでしょうか。不快に思う人も多いと思うので、一度ご自身の発信を見直された方がよろしいかと思います。」このセリフ以外、誰も何もしゃべらない。字幕なし、画面に文字なし。音楽なし（BGMゼロ）。環境音は鍋の湯気、雨だれ、遠くの路地のざわめきだけ。【場所】画像2の路地そのもの。左に赤い文字の大きな看板の麺屋、湯気の立つ大鍋、黒いTシャツに白いエプロンの中年の店主。右に理髪店のサインポールと小さな赤い祠。雨上がりの夜。【人物】画像1の女の子（細い丸眼鏡、ゆるいお団子髪、からし色の膝丈ナイロンのレインコート、衣装は最後まで変わらない）。店主とは知り合いではない、ただの通りすがり。【シーン】通りすがりの女の子が、なぜか麺屋の店主に丁寧に説教し、店主はぽかんと見ているだけ。0〜1秒：引き。女の子が路地を歩いてきて麺屋のカウンターの前でふと立ち止まり、店主の方を向く。1〜10秒：女の子のバストアップ（斜め、湯気越し）。小さな作り笑いで、落ち着いた早口でセリフをしゃべり続ける。途中で一度、指で眼鏡を押し上げる。口の動きはセリフに正確に合わせる。10〜14秒：店主の顔のアップ。お玉を持ったまま手が止まり、口を半開きにしてぽかんと女の子を見ている。画面外から女の子の声でセリフが続いている。14〜19秒：女の子のバストアップに戻り、セリフを最後まで言い切ってにっこり小さく会釈。19〜20秒：二人のツーショット、沈黙、鍋の湯気だけ。【画作り】実写の映画。ARRI Alexa 35, vintage Zeiss Super Speed primes, Kodak Vision3 500T, fine grain, photorealistic skin pores and micro-expressions. 店の電球の暖色と夜の路地の青い濡れた光。カメラ固定、実時間、スローなし。

Prompt shared by @kraqvoid on X, made with Kling 4.0 (original Japanese prompt)

20-second cinematic multi-shot scene, 16:9, ultra high definition, crisp fine detail, the mood of a quiet Japanese independent art film. Shot on 35mm film, Fujifilm Eterna look: muted, desaturated cyan-blue palette, overcast gray sky, cold gray-blue sea, pale soft skin tones, slightly lifted shadows, low contrast, fine grain. Late summer on the coast of the Sea of Japan, cloudy and windy, a small, quiet seaside town. Style: slow, restrained, observational. Mostly static camera and long takes, very few cuts. Emotions are held back — no crying, no big reactions, only small glances and pauses. Rule-of-thirds composition with wide negative space of sea and sky.Dialogue is in English, spoken by Japanese women with a soft, natural Japanese accent, quietly and hesitantly, with long pauses. Diegetic sound only, no music. Subtitles: burned-in bilingual film subtitles, like a festival print of an art film. Two lines, centered in the lower part of the frame, well inside the safe area: English on the top line, Japanese on the bottom line. Clean, thin, small white sans-serif type, with a very subtle soft shadow for legibility, no background box. Each subtitle appears exactly when the line is spoken and disappears shortly after. Render the subtitle text exactly as written below, with no other text anywhere in the frame. Characters (two clearly different types of beauty): KAYAKO — strikingly beautiful young Japanese woman, about 20, with a cool, sharp, androgynous elegance. Short straight black bob cut sharply at the jawline, pale porcelain skin, long narrow almond-shaped eyes with a cool gaze, straight defined brows, high cheekbones, a slim straight nose, thin natural lips. Tall and slender. A plain white shirt under a navy cardigan, dark skirt. Quiet, flat, low voice. She holds a small worn English vocabulary book. MIZUKI — beautiful young Japanese woman, same age, with a soft, gentle, delicate prettiness. Long straight black hair loose in the wind, fair skin with a faint natural blush, large round dark eyes with long lashes, soft rounded brows, a small nose, full soft lips. Petite. A light gray crewneck sweatshirt, dark trousers. Soft, hesitant voice.Setting: a long concrete seawall facing the gray Sea of Japan, piles of concrete tetrapods below, rough waves, a few seagulls, an empty coastal road behind. Shot 1 (0–4s): Static extreme wide shot, 24mm lens. A vast gray sky over a gray-blue sea. KAYAKO and MIZUKI sit on the seawall, tiny figures on the lower-right third, a small gap between them. Waves break against the tetrapods. Wind. A still hold. No subtitles. Shot 2 (4–9s): Static medium two-shot in side profile, 50mm lens. MIZUKI on the left third, KAYAKO on the right third, both looking out at the sea, not at each other. KAYAKO idly turns a page of her English vocabulary book.KAYAKO: "Say something in English. For practice."Subtitle:Say something in English. For practice.なんか英語で言ってみて 練習 Shot 3 (9–13s): Static close-up, 85mm lens. MIZUKI on the left third, hair blowing across her cheek, gray sea soft behind her. She keeps looking at the water. A long pause.MIZUKI, quietly: "I'll miss you."Subtitle:I'll miss you.さみしくなる Shot 4 (13–16s): Static close-up, 85mm lens. KAYAKO on the right third. She does not turn her head. Her eyes stay on the sea; only a small breath and a slight tightening of her lips.KAYAKO, flatly: "Good pronunciation."Subtitle:Good pronunciation.発音いいじゃん Shot 5 (16–20s): Static wide shot from behind, 35mm lens. The two sit on the seawall on the left third, the endless gray sea filling the rest of the frame. The pages of the vocabulary book flutter in the wind. Very slowly, MIZUKI leans her shoulder against KAYAKO's. KAYAKO doesn't move away. Hold. No subtitles. Sound: wind, waves crashing and drawing back over the tetrapods, seagulls, pages fluttering, a distant car passing on the coastal road. No music.

Prompt shared by @AI__TSUBAKI on X, made with Kling 4.0 Flash

A cinematic Japanese slice-of-life scene.Two young Japanese women (age 20 and 22) are sitting together and chatting happily. They are close friends having a relaxed conversation. Their lips move naturally with synchronized dialogue (accurate lip sync).Scene: a quiet residential street in Japan in the late afternoon. Warm golden sunlight, gentle breeze, peaceful everyday https://t.co/RSPCXsDmIm: cinematic Japanese film style composition, medium two-shot, natural framing, slightly handheld camera, slow cinematic https://t.co/nJknidgmTP: soft natural sunlight, realistic skin tones, subtle film color grading.Visual style: Japanese indie film aesthetics, shallow depth of field, soft background blur, realistic acting.Dialogue (spoken in Japanese, natural lip sync):Woman 1: 「今日ほんとうにあたたかいね。春って感じしない？」Woman 2: 「うん、こういう日に外で話すの気持ちいいよね。」Woman 1: 「最近どう？大学はいそがしい？」Woman 2: 「ちょっといそがしいけど、こうやって話すと元気出る。」They smile, laugh lightly, and continue their casual conversation.Ultra realistic, cinematic storytelling, natural acting, 4K film look.

Prompt shared by @tanabe_fragm on X, made with Kling 4.0 Flash (original Japanese prompt)

A cinematic, aching love scene on the last ferry of the night, crossing a dark sea in the rain. [Jules], the red-haired woman in the rust-orange wool coat with a single gold hexagon earring in her left ear, and [Harry] , the clean-cut man in his late 20s with neat side-parted light-brown hair and an olive work jacket, sit side by side on a bench seat by a rain-streaked window in the quiet ferry café. Harbour lights shrink into the dark behind the glass. Intimate romantic drama, six shots. 0s–5s: Wide two-shot from across the empty café. Jules watches the harbour lights recede; Harry watches only her. [Jules: warm quick Glaswegian voice, quiet and wistful]: "This is the last ferry, you know." A beat. [Harry: slow Central Texas drawl, soft and low]: "I know." 5s–10s: Close-up on Jules in profile against the window, rain shadows sliding down her face. She keeps her eyes on the lights and forces a small smile that doesn't reach her eyes. [Jules, trying to sound light]: "Tomorrow you're on a plane, and I'm back to talking to the gulls." 10s–14s: Close-up on Harry. He turns fully toward her, earnest, his voice barely above the engine hum, and his hand finds hers on the bench. [Harry, tender, hopeful]: "Then come with me." 14s–19s: Close-up on Jules. Her composure cracks; her eyes fill, a small broken laugh escapes, and she shakes her head without looking at him. [Jules, voice trembling]: "Don't. Don't make it sound easy." 19s–25s: Tight two-shot. He lifts her hand and holds it against his chest; she finally turns to meet his eyes. [Harry, hoarse, full of feeling]: "Nothing about you's been easy, darlin'. That's why I keep coming back." 25s–30s: Extreme close-up of the two of them, foreheads touching, eyes closed, the harbour lights a soft blur behind them. [Jules, a whisper]: "Then keep coming back." [Harry, a whisper, smiling through it]: "Every time. Every single time." The ferry horn sounds low in the distance.Warm tungsten café lamps against cold blue storm light from the window, shallow depth of field, natural skin texture, glistening eyes, subtle film grain. Sound: rain on glass, the engine hum, the creak of the hull, a soft piano note under the final line." A premium product ad for [Fernloch] sparkling birch water: a clear glass bottle of crystal-clear sparkling water with fine bubbles, its dark-green label reading "FERNLOCH" and "SPARKLING BIRCH WATER". Clean, bright commercial style, four shots. 0s–3s: Macro close-up sliding slowly along the bottle; the label fills the frame, fine bubbles rising inside, condensation beading on the glass. 3s–7s: Side angle at counter height. [Jules]'s hand in a rust-orange coat sleeve lifts the bottle by its shoulder and pours crystal-clear sparkling water into a heavy glass tumbler as fine bubbles race up. 7s–11s: Front angle, label facing the camera. She sets the bottle down upright beside the full glass. 11s–15s: Medium shot across the counter. [Harry]'s hand in an olive jacket sleeve takes the bottle by the neck and lifts it toward the lens, label facing the camera.Soft window light from the left, pale oak counter, warm-white wall, the label crisp and readable in every shot, gentle fizz and a soft glass clink." Raw vertical 9:16 selfie video shot on a phone's front camera held at arm's length, one continuous 30-second take with no cuts. It looks like an ordinary unedited phone clip, not a film: slightly soft image, a little digital noise and compression, deep focus with the background as sharp as her face, auto-exposure brightening and dimming as she walks between sun and tree shade, no colour grading. Handheld and imperfect: the phone bobs and sways with each step, tilts off level, drifts until the top of her head is cut off, and she re-centres it. [Sadie], a young woman in her early 20s with long honey-blonde waves blowing across her face, light natural makeup, small gold hoop earrings, a cropped cream knit top and light-wash jeans, walks forward along one long, straight, tree-lined downtown street in bright late-morning sun, a plain iced coffee cup with no logo in her free hand. She never stops, turns around or turns a corner; behind her is the same street she has already walked, with a few passers-by, parked cars and shopfronts with unreadable signs. Around 12 s a flower stall slides past beside her and she glances at it; around 17 s she passes a bakery window, glances at it and laughs.[Sadie: casual young woman's voice, a little breathless from walking, recorded on the phone's built-in mic]: "Okay, walk with me. I'm meeting my sister for brunch and I'm, like, ten minutes early for once. ... I love this street in the morning, before all the people. ... Oh, the flower stall's out again, so pretty. ... And that bakery... no. Be strong. ... Okay, it's just up here. I'll show you what we get. Bye!"Audio as captured by the phone mic, not studio clean: her voice close and slightly compressed, light wind buffeting the mic, traffic passing, a bus pulling away, footsteps, snippets of passer-by chatter, all mixed under and around her voice." Third-person chase shot from directly behind and slightly above a golden eagle as it flies over vast mountainous steppe. The camera follows at a fixed distance of a few metres, locked steady on the eagle, with smooth forward motion and no jitter. The whole bird stays in the lower centre of the frame with its full wingspan inside the frame and clear space on both sides. First it beats its wings powerfully, feathers flexing at the tips, then it spreads them wide and glides. Below and ahead, the landscape rushes toward the camera: winding rivers, open valleys, rocky peaks, with strong parallax. Bright late-afternoon sun from ahead, crisp air, a gentle rim light on its feathers, subtle lens flare. Realistic flight physics, motion blur from speed only, one continuous shot with no cuts." Multi-shot spy-thriller chase through a night market, 15 seconds, 6 shots with hard cuts, fast and relentless. [Cole]: early 30s, short dark-brown hair, clean-shaven, tailored charcoal suit, white shirt open at the collar, no tie. [Anton]: late 30s, ash-blond buzz cut, short blond beard, black leather jacket, dark grey henley. A packed night-market lane after rain: food stalls, red paper lanterns, string lights, grill smoke, steam, wet pavement reflecting the lights. Anton always runs toward frame right; Cole chases him. Shot 1 (0–2s): Telephoto close-up of Cole standing still in the moving crowd, shoppers blurring past in the foreground, eyes locked on something off-screen right. Shot 2 (2–4.5s): The camera whip-pans right along his eyeline and snaps sharp onto Anton under a red stall sign reading "DUMPLINGS". Anton sees Cole, drops his paper cup and bolts right. Shot 3 (4.5–7s): Fast side tracking shot racing alongside at full sprint, both men running frame right: Anton shoving shoppers aside, Cole ten metres behind and closing, string lights streaking past. Shot 4 (7–9.5s): Low angle: Anton yanks a stack of fruit crates down behind him and oranges spill across the wet ground; Cole leaps the crates in one stride, suit jacket flaring, lands hard and keeps running. Shot 5 (9.5–12.5s): Cole bursts into a crossroads of lanes beneath a stall sign reading "HOT TEA" and stops dead, breathing hard. Anton is gone. The camera orbits slowly halfway around Cole, circling past his left side to end over his shoulder, as he scans the crowd. Shot 6 (12.5–15s): Close on Cole. His eyes snap left and the camera whip-pans left, landing sharp on Anton climbing a metal stairway above the stalls, glancing back. Cole sprints out of frame after him. Gritty handheld spy-thriller look, anamorphic, shallow depth of field, teal shadows with warm amber lantern light, motion blur from speed only. No dialogue: pounding footsteps, crates crashing, oranges rolling, sizzling grills, crowd gasps, a pulsing percussion score with low brass stabs." Generate a multi-shot car drifting action scene."

Prompt shared by @minchoi on X, made with Kling 4.0

[MASTER] Use this reference image as the exact first frame: the same young Japanese woman with long wavy ash-blonde hair and see-through bangs, cream ribbed square-neck knit top, small flower necklace, in her cozy white YouTuber room with a ring light, camera, microphone and warm lamps. Keep her face, hair, outfit and the room exactly the same. CAMERA IS COMPLETELY LOCKED OFF ON A TRIPOD: no push-in, no zoom, no pan, no tilt, no drift, no shake; the framing stays identical for the full 22 seconds, only she moves. Photoreal, soft warm lighting. Performance: a bubbly, cute, friendly YouTuber talking to her viewers like a close friend. Big natural smiles, lively eyebrows, sparkling eyes, playful head tilts, expressive hands, natural blinking. Accurate lip sync to every Japanese syllable, bright cute slightly excited voice, light bouncy tempo. Burned-in Japanese subtitles at the bottom center of the screen: white bold rounded text with a soft pink outline, one sentence at a time, appearing exactly when she starts each sentence and matching her words exactly. Apart from the subtitles, the only graphics are the effect text and stickers described in 10-17s; they appear only there. All Japanese text clean and correctly written. Sound: only her voice, plus a soft pop when the effects appear and a crisp "pon" when they vanish; no music. [0-3s] Emotion: excited, can't wait to share a secret. She leans slightly toward the camera with a big smile and waves one hand. She says「みなさん、こんにちは！きょうはね、すごいことがあるんです！」 Subtitle reads: みなさん、こんにちは！今日はね、すごいことがあるんです！ [3-7s] Emotion: proud and amazed. She opens both hands wide, eyes wide, nodding on each phrase. She says「クリング よんてんぜろでは、にほんごの じまくも、どうが せいせいで できちゃうんです！」 Subtitle reads: Kling 4.0では、日本語の字幕も動画生成でできちゃうんです！ [7-10s] Emotion: playful reveal. She stretches both arms straight down and points both index fingers firmly at the subtitle at the very bottom of the screen, her hands reaching all the way down to the subtitle, her head tilted and her eyes looking down at it the whole time. She says「そう、この じまく！」 Subtitle reads: そう、この字幕！ [10-13s] Emotion: excited surprise. She raises one hand and points up into the empty air beside her head; exactly where she points, the big cute katakana word "エフェクト" pops into the air in bold pastel pink letters with a white outline and a little bounce. She says「じつは、エフェクトも だせるんです！」 Subtitle reads: 実は、エフェクトも出せるんです！ [13-16s] Emotion: proud and playful. Cute stickers pop in one by one around the "エフェクト" text: pink hearts, yellow stars, a small cat-paw stamp and sparkles, all floating in the air; she opens her hand toward them to show them off. She says「これも そうなんです！」 Subtitle reads: これもそうなんです！ [16-18s] Emotion: mischievous. She brings her finger up to the floating effects and flicks them with a little "pon" gesture; the text and all the stickers burst into tiny sparkles and vanish instantly, leaving the air empty. She laughs. [18-20s] Emotion: delighted and a little shy. She giggles, presses both hands to her cheeks, tilts her head and gives a cute wink to the camera. She says「すごくないですか？」 Subtitle reads: すごくないですか？ [20-22s] Emotion: warm and cheerful goodbye. She leans in toward the camera with a big smile and waves both hands. She says「それじゃあ、またね！バイバーイ！」 Subtitle reads: それじゃあ、またね！バイバーイ！

Prompt shared by @onofumi_AI on X, made with Kling 4.0

Create a 20-second photorealistic crime-thriller scene inside a vast aircraft hangar at night. Use as the ONLY woman and as the ONLY man. Each uploaded sheet shows multiple angles of one person; do not turn its panels into multiple characters or reproduce the studio background. Preserve their exact faces, hair, tattoos, piercings, body proportions and outfits across every shot. wears her worn black leather jacket, dark graphic shirt, black cargo trousers and heavy boots. wears his long black coat, burgundy shirt and dark trousers. A cargo plane stands in shadow behind them. Rain blows through a partly open hangar door. On a metal workbench lies a photograph of a sealed case they intend to steal.Begin on the FIRST FRAME with slamming the photograph onto the workbench. The handheld camera whips from her hand to her face as she says in Turkish: "Kasa hangara girince kapı kapanıyor. İçeride kalırsak biteriz."Cut tightly to circling the table. He answers: "Kapı kapanmadan alacağız. Ben onları oyalayacağım."@image1 steps directly into his path and says: "Geçen sefer de beni böyle oyaladın."@image2 moves closer, defensive but controlled: "Geçen sefer ikimizi de kurtardım."@image1 immediately cuts him off: "Hayır. Kendini kurtardın."A moving two-shot holds both faces as @image2 replies: "Yine de buradasın."@image1 snatches the photograph from the table and strides toward the hangar door. The camera tracks backward in front of her while @image2 follows behind. Without turning around, @image1 says: "Kasanın içindekine ihtiyacım var! Sana değil."Use energetic handheld camerawork and brisk cuts on speaker changes: low wide shots showing the hangar’s scale, close over-the-shoulder angles, intimate facial close-ups and a final moving two-shot. Keep both characters in motion, preserve consistent screen direction and show the correct speaker’s face clearly during each line. Dialogue begins immediately, is delivered quickly in natural Turkish and fills nearly the entire 20 seconds. Give and distinct voices with accurate lip sync. No extra people, extra dialogue, voice-over, subtitles, readable text or identity changes.

Prompt shared by @ozansihay on X, made with Kling 4.0 Flash (original Turkish prompt)

Continuous medium-tracking sequence in a sunlit art studio. First, an artist dips a wooden paintbrush into a glass jar of deep blue watercolor, causing ink plumes to bloom in the water. Next, without a cut, the artist lifts the wet brush and applies a single smooth stroke onto a clean canvas. Finally, the artist sets the brush down on a wooden easel ledge and steps back slightly. Consistent natural lighting, seamless chronological progression, rigid brush geometry throughout. Cinematic low-key film noir medium close-up of a detective standing beside a Venetian-blinded window in a dark office at night. Sharp, high-contrast slivers of neon blue and amber streetlight slice across his face and trench coat. Heavy rain streaks run down the glass. The detective slowly strikes a wooden match, creating a sudden warm amber glow that illuminates his eyes and casts crisp shifting shadows across the wall behind him. Soft drifting match smoke. THREE A.M. KITCHEN Emotional dialogue 5 shots 2 speakers 17 spoken words 20s, 16:9, 6 cuts, photoreal live-action, native audio with synced dialogue, British English accents. No on-screen text, subtitles, captions, watermarks or logos. STYLE: intimate chamber drama, 35mm grain, shallow focus, understated performances. CAST: NORA - woman, 45, auburn hair in a loose knot, black reading glasses pushed up on top of her head, grey cardigan over a faded T-shirt, tired eyes. ELLIE - her younger sister, 32, black curly shoulder-length hair soaked from rain, oversized denim jacket, jeans, silver hoop earrings. PROPS: two identical mustard mugs. Nora holds one. A second, empty mug stands clearly visible at the empty chair opposite her. PALETTE: amber pendant lamp vs cold teal under-cabinet light, deep shadows, natural skin. STORY: At 3 a.m. Ellie comes home to admit she sold their late mother's house. Nora already knows. BEATS: 0.0-3.5s | CUT 1, wide, static, eye level: heavy rain on the kitchen window. Ellie stands frozen in the doorway on the left, dripping. Nora sits at the table on the right, hands round her mug; the empty mug waits opposite. Stillness. 3.5-7.5s | CUT 2, clean medium close-up on Nora, nothing in the foreground, 50mm, slow push-in. Eyes down. NORA (flat, quiet, exhausted): "You sold it. Mum's house. Without asking me." 7.5-12.0s | CUT 3, close-up on Ellie in the doorway, 85mm, subtle handheld. Her eyes fill with tears; she swallows before speaking. ELLIE (defensive, voice cracking on the last word): "I was drowning, Nora. You weren't answering." 12.0-15.5s | CUT 4, same clean medium close-up on Nora, eyes dry at first. She looks up, pulls the glasses down off her head and sets them on the table. Only then does one tear run down her cheek. She says nothing. Only rain. 15.5-18.0s | CUT 5, low profile shot along the tabletop: Nora's hand slides the empty second mug across the wood to the empty chair. NORA (whisper, barely voiced): "Sit down." 18.0-20.0s | CUT 6, medium close-up on Ellie, already seated at the table, both hands round the second mug. One shaky breath, half laugh, half sob, then stillness. Hold. AUDIO: dialogue close and dry. Steady rain on glass audible from the first frame, fridge hum, room tone. Mug scrape on wood at 16s. Ellie's half-laugh sob at 18.5s. No music. NEGATIVE: no text, no extra people, no foreground shoulders in Nora's shots, no repeat of the CUT 1 wide, no props appearing or vanishing, no melodramatic sobbing, no face morphing, no lip-sync drift.

Prompt shared by @sebatheepan on X, made with Kling 4.0

A research vessel descends deep into Jupiter's atmosphere during a colossal storm. Thick orange clouds rush past the windows while lightning reveals impossible silhouettes below. The camera follows the spacecraft deeper until an ancient artificial structure thousands of kilometers long becomes visible inside the planet, suspended between atmospheric layers. Massive rotating rings suddenly activate, pushing clouds outward and revealing a glowing artificial core. Extreme atmospheric scale, volumetric storm simulation, mysterious ancient technology, cinematic lighting, realistic turbulence

Prompt shared by @Alin_Reaper05 on X, made with Kling 4.0 Flash

In one long take with out any cuts, we watch the man [img 1] wake up in his bed and instantly starts an action scene when he realizes he is late for work. Then he jumps out the window landing on a city bus. he parkours off a streetlight, onto a building top and then through an open window landing in his cubicle right as his Boss walks up and says. "Right on time, as always". The man says, "Early is on time, right?" The man then looks at the camera knowing the audience is in on the joke.

Prompt shared by @gabemichael_ai on X, made with Kling AI 4.0 Flash

An amateur handheld recording in third-person perspective rapidly follows a cat through its nighttime adventures in one continuous shot, with no cuts, no stopping, and no pause. The sequence feels like fast-forward, showing all the curious, mischievous, funny, and chaotic things a cat might do while the town, house, garden, and everything around it are half-asleep.The cat races through about ten places a cat would naturally explore at night, each one flowing into the next in a single continuous chase: a quiet bedroom, a dim hallway, a kitchen, a living room, a backyard garden, a fence line, a garage, a rooftop, a tree, and a sleepy street or alley. The camera is shaky and imperfect, always struggling to keep up as it follows close behind. In every location, the cat causes some kind of chaos. In the bedroom it jumps onto furniture and disturbs sleeping people. In the hallway it sends small objects tumbling. In the kitchen it knocks items off the counter. In the living room it darts across shelves and tips things over. In the garden it rustles plants, digs, or startles birds. On the fence it rattles loose objects. In the garage it weaves through clutter and causes things to wobble or fall. On the rooftop it skids across surfaces and startles other animals. In the tree it shakes branches and scatters leaves. In the street or alley it darts through trash, shadows, and unexpected little messes, always leaving brief chaos behind before sprinting onward.The cat behaves like a restless, curious nighttime troublemaker: climbing, leaping, squeezing through gaps, chasing tiny movements, staring at strange things, swatting objects, knocking things over, and vanishing into corners before bursting back out again. Every scene should contain a clear action, reaction, or small disaster caused by the cat.Everything around it feels sleepy and still, with dark houses, quiet gardens, dim windows, silent rooftops, and empty streets. The contrast is that the cat is pure energy, moving so quickly that the world smears into motion blur and fragmented glimpses of chaos. The overall feeling is funny, lively, mischievous, and cinematic, like a whole secret night of cat behavior compressed into one rapid continuous chase.

Prompt shared by @umesh_ai on X, made with Kling 4.0 Flash